The articles compiled in this volume address the manifold relationships between technology, art, culture, and science that have emerged throughout the 200 years of the history of the TU Wien. After reflecting in general on the interaction of art and technology, and their convergence at the “Vienna Chamber of Wonders 2015” exhibition, the connections between the members and graduates of the TU Wien and its predecessor institutions to the artistic, literary, and especially musical life of the time will be examined. Further articles are dedicated to the role of the Polytechnic Institute and the TH/TU Wien in the early development of photography and film, as well as to the efforts of the TH in spreading technical knowledge to the people during the first decades of the 20th century as part of "University Extension".

A lavishly illustrated, highly unusual take on fashion as viewed from all sorts of different angles.

Founded by German engineer Oskar von Miller in 1903, the Deutsches Museum in Munich was designed as a place of learning and entertainment. It continues to be a centre of cutting-edge developments as it constantly modernizes to follow recent achievements in science and technology. With over 600 illustrations, the book shows the museum's collection, while documenting the building's history and the collection's dynamic evolution. Filled with information about exciting international discoveries in the fields of the physical and natural sciences, from acoustics to zeppelins, mining to hydraulics, this is a valuable insight for anyone interested in the history - and art - of science.

Under the Volcano. Warburg’s Legacy, explores the enduring influence of Aby Warburg’s ideas, likening his intellectual legacy to volcanic activity–continually shaping the landscape of cultural history. If Warburg “was a volcano”, this issue is structured around the metaphorical fissures and lava flows, and is divided into four sections: Unpublished, Rediscovery, Readings, Presentation.

The Aerocene project consists of a series of airborne sculptures that will achieve the longest emissions-free journey around the world becoming buoyant only by the heat of the Sun and infrared radiation from the surface of Earth.

Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.

The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze