This timely new monograph takes as its starting point the provocative contention that Holocaust film scholarship has been marginalized academically despite the crucial role Holocaust film has played in fostering international awareness of the Nazi genocide and scholarly understandings of cinematic power. The book suggests political and economic motivations for this seeming paradox, the ideological parameters of which are evident in debates and controversies over Holocaust films themselves, and around Holocaust culture in general. Lending particular attention to four exemplary Holocaust “art” films (Korczak [Poland, 1990], The Quarrel [Canada, 1990], Entre Nous [France, 1983], and Balagan [Germany, 1994]), this book breaks disciplinary ground by drawing critical connections between public and scholarly debates over Holocaust representation, and the often sophisticated cinematic structures lending aesthetic shape to them in today’s global arena.

Eduard Meyer (1855-1930) was among the most important historians of his age. After Mommsen he is the best known German ancient historian. From 1902 he taught ancient history in Berlin and from 1919/20 he was vice-chancellor. His most important work "Geschichte des Altertums" includes the ancient oriental cultures, contains a sociological- anthropological methodology and considers all humane studies, especially religious history. This collection treats aspects of Meyer's biography - including his journey to America, his relations with his contemporaries (M. Weber, O. Spengler, U.von Wilamowitz), his university politics, his role in the First World War, his positions on Christianity and Judaism, history of philosophy, and particular research results and their effect.

Holocaust movies have become an important segment of world cinema and the de-facto Holocaust education for many. One quarter of all American-produced Holocaust-related feature films have won or been nominated for at least one Oscar. In fact, from 1945 through 1991, half of all American Holocaust features were nominated. Yet most Holocaust movies have fallen through the cracks and few have been commercially successful. This book explores these trends--and many others--with a comprehensive guide to hundreds of films and made-for-television movies. From Anne Frank to Schindler's List to Jojo Rabbit, more than 400 films are examined from a range of perspectives--historical, chronological, thematic, sociological, geographical and individual. The filmmakers are contextualized, including Charlie Chaplin, Sidney Lumet, Steven Spielberg, Quentin Tarantino and Roman Polanski. Recommendations and reviews of the 50 best Holocaust films are included, along with an educational guide, a detailed listing of all films covered and a four-part index-glossary.

Die Geschichte einer Enkelin, die zwischen alten Traditionen und festgefahrenen Familienrollen versucht, sich selbst zu behaupten, ihren eigenen Worten Gehör zu verschaffen und den dunklen Wolken in ihrem Kopf zu entkommen.