This is a hodgepodge of a disorderly, systematically arranged collection of Polish nobility. On these pages you will learn everything about: descent, nobility, aristocratic literature, aristocratic name endings, aristocratic association, genealogy, bibliography, books, family research, research, genealogy, history, heraldry, heraldry, herbalism, information, literature, names, aristocratic files, nobility, personal history, Poland, Szlachta, coat of arms, coat of arms research, coat of arms literature, nobility, knights, Poland, herbarz. Conglomeration, translations into: English, German, French. Dies ist ein Sammelsurium einer ungeordneten, systematisch geordneten Sammlung des polnischen Adels. Auf diesen Seiten erfahren Sie alles über: Abstammung, Adel, Adelsliteratur, Adelsnamenendungen, Adelsverband, Genealogie, Bibliographie, Bücher, Familienforschung, Forschung, Genealogie, Geschichte, Heraldik, Heraldik, Kräuterkunde, Informationen , Literatur, Namen, Adelsakten, Adel, Personengeschichte, Polen, Szlachta, Wappen, Wappenforschung, Wappenliteratur, Adel, Ritter, Polen, Herbarz. Sammelsurium, Übersetzungen in: Englisch, Deutsch, Französisch. Il s'agit d'un méli-mélo d'une collection désordonnée et systématiquement organisée de la noblesse polonaise. Sur ces pages, vous apprendrez tout sur : l'ascendance, la noblesse, la littérature aristocratique, les terminaisons de noms aristocratiques, l'association aristocratique, la généalogie, la bibliographie, les livres, la recherche familiale, la recherche, la généalogie, l'histoire, l'héraldique, l'heraldique, l'herboristerie, l'information, la littérature, les noms, dossiers aristocratiques, noblesse, histoire personnelle, Pologne, Szlachta, armoiries, recherche d'armoiries, littérature d'armoiries, noblesse, chevaliers, Pologne, herbarz. Conglomération, traductions en : anglais, allemand, français.

They are nine women with much in common—all German speaking, all poets, all personal witnesses to the horror and devastation that was World War II. Yet, in this deeply moving collection, each provides a singularly personal glimpse into the effects of war on language, place, poetry, and womanhood. After Every War is a book of translations of women poets living in Europe in the decades before and after World War II: Rose Ausländer, Elisabeth Langgässer, Nelly Sachs, Gertrud Kolmar, Else Lasker-Schüler, Ingeborg Bachmann, Marie Luise Kaschnitz, Dagmar Nick, and Hilde Domin. Several of the writers are Jewish and, therefore, also witnesses and participants in one of the darkest occasions of human cruelty, the Holocaust. Their poems, as well as those of the other writers, provide a unique biography of the time—but with a difference. These poets see public events through the lens of deep private losses. They chart the small occasions, the bittersweet family ties, the fruit dish on a table, the lost soul arriving at a railway station; in other words, the sheer ordinariness through which cataclysm is experienced, and by which life is cruelly shattered. They reclaim these moments and draw the reader into them. The poems are translated and introduced, with biographical notes on the authors, by renowned Irish poet Eavan Boland. Her interest in the topic is not abstract. As an Irish woman, she has observed the heartbreaking effects of violence on her own country. Her experience has drawn her closer to these nine poets, enabling her to render into English the beautiful, ruminative quality of their work and to present their poems for what they are: documentaries of resilience—of language, of music, and of the human spirit—in the hardest of times.

This controversial study places the work of the Austrian poet Georg Trakl (1887-1914) within the context of the intellectual and cultural milieu surrounding Ludwig von Ficker (1880-1966), the editor of one of the most significant avant-garde periodicals at the time of German expressionism. In contrast to many studies which see Trakl as the literary heir of Rimbaud and Hölderlin, among others, this study concentrates on his heretofore unexamined relationships to other contributors to the Brenner. It uncovers an atmosphere of repressed and tormented sexuality which seems to have been characteristic of provincial Austria at the turn of the century and which erupts menacingly in Trakl's poetry.

The start of the eighteenth century witnessed the elevation of Prussia to monarchic status, a reflection of the rising importance of the Hohenzollern dynasty within the Empire as well as in Central Europe. In tandem with this, Berlin came to the fore as the capital city of Brandenburg, with the establishment there of the royal court. This volume makes available for the first time a selection of the diverse printed and visual materials relating to these developments. In their introduction to the documents, the editors explore the historical, political and cultural context of the rise of the Hohenzollerns and the significance of the 1701 coronation of Friedrich III as King in Prussia. The materials provided in the original, as well as in English translation, are wide-ranging. Points of focus include the dynasty's cultivation of the arts and learning, its festive culture, the structure of the court and the nature of Friedrich's reign. Particular attention is given to the ceremonial procedure and festivities surrounding his coronation recorded by the court poet, Johann von Besser. This collection of materials acts as a commentary on Baroque kingship, revealing the manner in which the early eighteenth-century monarch wished to present himself to the outside world and enhance his legitimacy among European rulers. It also offers valuable insights into a key stage in the political and cultural history of Brandenburg-Prussia, the consequences of which exercised a crucial impact on the development of Germany and the history of Europe.