Starting from some central texts of Horace's late poetry this book tries to offer a general picture of Horace's poetry, his political poetry and his relationship with his patrons in particular. It offers a large variety of comparative material from modern literature and is aimed not only at classicists, but at students of literature and history in general. All quotations from Greek and Latin texts are translated.

The volume explores the relationship of artists and intellectuals from ancient Greece to modern times.

This volume centres on a detailed analysis of the whole corpus of Horace’s work by Edward Courtney (Satires), Elaine Fantham (Epistles I and Odes IV), Hans-Christian Günther (Epodes, Odes I – III, Carmen Saeculare and Epistles II) and Tobias Reinhardt (Ars Poetica). The latter is preceeded by a detailed account of Horace’s life and work in general by H.-C. Günther. Two appendices on the transmission of the text (E. Courtney) and style and metre (Peter Knox) conclude the volume. It is aimed at students and scholars of classical and modern literature who seek comprehensive orientation on all aspects of Horace’s work. All quotations from Latin and Greek are translated.

Every year, the Bibliography catalogues the most important new publications, historiographical monographs, and journal articles throughout the world, extending from prehistory and ancient history to the most recent contemporary historical studies. Within the systematic classification according to epoch, region, and historical discipline, works are also listed according to author’s name and characteristic keywords in their title.

This volume sets out to explore the complex relationship between Horace and Seneca. It is the first book that examines the interface between these different and yet highly comparable authors with consideration of their œuvres in their entirety. The fourteen chapters collected here explore a wide range of topics clustered around the following four themes: the combination of literature and philosophy; the ways in which Seneca’s choral odes rework Horatian material and move beyond it; the treatment of ethical, poetic, and aesthetic questions by the two authors; and the problem of literary influence and reception as well as ancient and modern reflections on these problems. While the intertextual contacts between Horace and Seneca themselves lie at the core of this project, it also considers the earlier texts that serve as sources for both authors, intermediary steps in Roman literature, and later texts where connections between the two philosopher-poets are drawn. Although not as obviously palpable as the linkage between authors who share a common generic tradition, this uneven but pervasive relationship can be regarded as one of the most prolific literary interactions between the early Augustan and the Neronian periods. A bidirectional list of correspondences between Horace and Seneca concludes the volume.

Reveals the critical importance of the ancient carpe diem motif for understanding ancient literature and its creation of vivid presents.

The Greek historian Polybius (2nd century B.C.E.) produced an authoritative history of Rome's rise to dominance in the Mediterranean that was explicitly designed to convey valuable lessons to future generations. But throughout this history, Polybius repeatedly emphasizes the incomparable value of first-hand, practical experience. In Polybius: Experience and the Lessons of History, Daniel Walker Moore shows how Polybius integrates these two apparently competing concepts in a way that affects not just his educational philosophy but the construction of his historical narrative. The manner in which figures such as Hannibal, Scipio Africanus, or even the Romans as a whole learn and develop over the course of Polybius' narrative becomes a critical factor in Rome's ultimate success.