Director F.W. Murnau's Nosferatu: A Symphony of Horror, made in 1921, right after the devastating Spanish Flu pandemic, has become the ultimate cult classic among horror film buffs around the world. For years there was much speculation about the production background, the filmmakers, and their star, the German actor Max Schreck. This book tells the complete story drawing on rare sources. This book tells the complete story, drawing on rare sources. The trail leads to a group of occultists with a plan to establish a leading film company that would produce a momentous series of horror movies. Along the way, the author touches upon other classic German fantasy silents, such as The Golem, The Cabinet of Dr. Caligari and Metropolis.

Cultural and literary historians investigate the unique literary bridge between German-speaking women and the "New World," examining novels, films, travel literature, poetry, erotica, and photography. In a 1798 novel by Sophie von La Roche, a European woman swims across a cold North American lake seeking help from the local indigenous tribe to deliver a baby. In a 2008 San Francisco travel guide, Milena Moser, the self-proclaimed "Patron Saint of Desperate Swiss Housewives," ponders the guilty pleasures of a media-saturated world. Wildly disparate, these two texts reveal the historical arc of a much larger literary constellation: the literature of German-speaking women who interact with the New World. In this volume, cultural historians from around the world investigate this unique literary bridge between two hemispheres, focusing on New-World texts written by female authors from Germany, Austria, or Switzerland. Encompassing a broad range of genres including novels, films, travel literature, poetry, erotica, and even photography, the essays include women's experiences across both American continents. Many of the primary literary texts discussed in this volume are available in the online collections of Sophie: A Digital Library of Works by German-Speaking Women (http: //sophie.byu.edu/). Contributors: Christiane Arndt, Karin Baumgartner, Ute Bettray, Ulrike Brisson, Carola Daffner, Denise M. Della Rossa, Linda Dietrick, Silke R. Falkner, Maureen O. Gallagher, Nicole Grewling, Monika Hohbein-Deegen, Gabi Kathöfer, Thomas W. Kniesche, Julie Koser, Judith E. Martin, Sarah C. Reed, Christine Rinne, Tom Spencer, Florentine Strzelczyk, David Tingey, Petra Watzke, Chantal Wright. Rob McFarland and Michelle Stott James are both Associate Professors of German at Brigham Young University.

This volume brings together the proceedings of an international and interdisciplinary symposium held at Budapest between 8th and 10th May 2014. It was the first event dealing exclusively with the temple of Zeus at Olympia, which was, at the time of its construction, the largest temple in mainland Greece, and which has remained the largest ancient building of the Peloponnese ever since. Contributors come from eight countries, namely Austria, France, Germany, Greece, Hungary, Italy, Japan, and the UK, and from several different fields of classical studies, including archaeology, ancient history, numismatics, epigraphy and architecture. The contributions deal with widely different aspects of the building and its sculptural decoration, including masons’ marks, metrology, the usage of different marbles, and depictions of invisible gods, and approach these issues from new and unique perspectives. Some papers focus on the cult of Zeus, or on inscriptions found in or on coins associated with the sanctuary; others describe how later authors might have used the monument, or bridge the gap between classical studies and the latest digital technologies applied to archaeology and cultural heritage. As such, all of the essays gathered here will inspire classical scholars to make use of these new research paths.

Reprint of the original, first published in 1869.