This book examines the historical and socio-cultural connections across the SAARC region, with a special focus on the relationship between India and Sri Lanka. It investigates hitherto unexplored narratives of history, popular culture and intangible heritage in the region to identify the cultural parallels and intersections that link them together. In doing so, the volume moves away from an organised and authorised heritage discourse and encourages possibilities of new understandings and re-interpretations of cross-cultural communication and its sub-texts. Based on original ethnographic work, the book discusses themes such as cultural ties between India and Sri Lanka, exchanges between Arthur C. Clarke in Sri Lanka and Satyajit Ray in India, cultural connectivity reflected through mythology and folklore, the influence of Rabindranath Tagore on modern dance in Sri Lanka, the introduction of railways in Sri Lanka, narrative scrolls and masked dance forms across SAARC countries, Hindi cinema as the pioneer of cultural connectivity, and women’s writing across South Asia. Lucid and compelling, this book will be useful for scholars and researchers of cultural studies, South Asian studies, cultural anthropology, sociology, popular culture, cross-cultural communication, gender studies, political sociology, cultural history, diplomacy, international relations and heritage studies. It will also appeal to general readers interested in the linkages between India and Sri Lanka.

Each number comprises the annual report of a different colony for a particular year.

At the pilgrimage site of Adam’s Peak in Sri Lanka, a footprint is embedded atop the mountain summit. Buddhists hold that it was left by the Buddha, Hindus say Lord Siva, and Muslims and Christians identify it with Adam, the first man. The Sri Lankan state, for its part, often uses the Peak as a prop to convey a harmonious image of religious pluralism, despite increasing Buddhist hegemony. How should the diversity of this place be understood historically and managed practically? Considering the varied heritage of this sacred site, Alexander McKinley develops a new account of pluralism based in political ecology, representing the full array of actors and issues on the mountain. From its diverse people to rare species to deep geology, the Peak exemplifies a planetary pluralism that recognizes a multiplicity of beings while accepting competition and disorder. Taking a place-based approach, McKinley casts the mountain as an actor, exploring how its rocks, forests, and waters promote pilgrimage, inspire storytelling, and make ethical demands on human communities. Combining history and ethnography while furnishing original translations of sources from Pali, Sinhala, and Tamil, this multidisciplinary and stylistically innovative book shows how religious traditions share literal common ground in their reverence for the mountain.

The World of Asian Stories is a continuing campaign for storytelling as an effective and non-intrusive tool for sensitisation. This omnibus of stories and storytelling traditions from 43 countries across Asia provides an overview of methods and the multitude of stylistic variations. The book then embarks on a journey through fast-changing landscapes of unique, yet unifying cultural experience, presented through the distinctive voices of people. The focus is on the individual over the din of the dominant. This resource book invites teachers, parents and children to explore storytelling at home and in school. It introduces the reader to basic guidelines, offers tips and suggestions on technique, and provides an abundant pool of stories to draw from and activities to contextualise them. The visuals, too, offer a wealth of reference points. Illustrations are quirky and perceptive, subtly acquiring the flavours of the lands through which they journey. They complement the (sometimes whimsical) vagaries of the stories, creating an ambience of truthful, unassuming and straight-from-the heart storytelling.