The Dictionary details the characteristic attributes,chronology and symbolism of over twelve thousand main and minor deities.It reflects the extraordinary cultural, literary,aesthetic and spiritual achievements of several nations of Asia over two millennia.It will help to identify the masterpieces along with the profusion of masters and divine beings around them.The last few decades have seen an exuberant flourishing of the study and popularisation of the patrimony of Buddhist art for its aesthetic magnificence.This Dictionary will add a dimension of precision and depth of perception to the visual tradition of paintings and sculptures.

Over 150 color photographs from temples, museums, historical sites, and private collections enhance this attractive survey of the Buddhist art of India, Central Asia, China, Korea, Japan, Nepal, Tibet, Sri Lanka, Burma (Myanmar), Indonesia, Cambodia, Thailand, and Vietnam. It presents the life story and teachings of Sakyamuni Buddha, founder of Buddhism, as shown in paintings, sculptures, and other works of art, and explores the major schools of Buddhism--Theravada, Mahayana, Vajrayana, Zen--and the styles and characteristics of the Buddhas, bodhisattvas, deities, and other images seen in their art. Everyone interested in Buddhist art and its enduring significance will find this volume a useful reference for the study and appreciation of the various gestures, poses, and artistic elements seen in Buddhist art though the ages.

Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”

"A concise, accessible primer to the intricate world of Buddhist art." Publishers Weekly"

This new dictionary, now available in paperback as part of the best-selling Oxford Paperback Reference series, covers both historical and contemporary issues in Buddhism, and includes all Buddhist schools and cultures. Over 2,000 broad-ranging entries cover beliefs, doctrines, major teachers and scholars, place names, and artefacts, in a clear and concise style. The text is illustrated with line drawings of religious structures, iconographic forms and gestures, and ritual objects. Appendices include a chronology and a guide to canonical scriptures as well as a pronunciation guide for difficult names and terms.