This book broaches a comparative and interdisciplinary approach in its exploration of the phenomenon of the dictatorship in the Hispanic World in the twentieth century. Some of the themes explored through a transatlantic perspective include testimonial accounts of violence and resistance in prisons; hunger and repression; exile, silence and intertextuality; bildungsroman and the modification of gender roles; and the role of trauma and memory within the genres of the novel, autobiography, testimonial literature, the essay, documentaries, puppet theater, poetry, and visual art. By looking at the similarities and differences of dictatorships represented in the diverse landscapes of Latin America and Spain, the authors hope to provide a more panoramic view of the dictatorship that moves beyond historiographical accounts of oppression and engages actively in a more broad dialectics of resistance and a politics of memory.

Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.

This edited volume studies the relationship between big business and the Latin American dictatorial regimes during the Cold War. The first section provides a general background about the contemporary history of business corporations and dictatorships in the twentieth century at the international level. The second section comprises chapters that analyze five national cases (Argentina, Brazil, Chile, Uruguay and Peru), as well as a comparative analysis of the banking sector in the Southern Cone (Argentina, Brazil, Chile, and Uruguay). The third section presents six case studies of large companies in Argentina, Brazil, Chile, Colombia and Central America. This book is crucial reading because it provides the first comprehensive analysis of a key yet understudied topic in Cold War history in Latin America.

Latin American Dictatorships in the Era of Fascism focuses on the reverse-wave of dictatorships that emerged in Latin America during the 1930s and the transnational dissemination of authoritarian institutions in the era of fascism. António Costa Pinto revisits the study of authoritarian alternatives to liberal democracy in 1930s Latin America from the perspective of the diffusion of corporatism in the world of inter-war dictatorships. The book explores what drove the horizontal spread of corporatism in Latin America, the processes and direction of transnational diffusion, and how social and political corporatism became a central set of new institutions utilized by dictatorships during this era. These issues are studied through a transnational and comparative research design to reveal the extent of Latin America’s participation during the corporatist wave which by 1942 had significantly reduced the number of democratic regimes in the world. This book is essential reading for students studying Latin American history, 1930s dictatorships and authoritarianism, and the spread of corporatism.