In his most enthralling novel yet, the critically acclaimed author Matthew Pearl reopens one of literary history’s greatest mysteries. The Last Dickens is a tale filled with the dazzling twists and turns, the unerring period details, and the meticulous research that thrilled readers of the bestsellers The Dante Club and The Poe Shadow. Boston, 1870. When news of Charles Dickens’s untimely death reaches the office of his struggling American publisher, Fields & Osgood, partner James Osgood sends his trusted clerk Daniel Sand to await the arrival of Dickens’s unfinished novel. But when Daniel’s body is discovered by the docks and the manuscript is nowhere to be found, Osgood must embark on a transatlantic quest to unearth the novel that he hopes will save his venerable business and reveal Daniel’s killer. Danger and intrigue abound on the journey to England, for which Osgood has chosen Rebecca Sand, Daniel’s older sister, to assist him. As they attempt to uncover Dickens’s final mystery, Osgood and Rebecca find themselves racing the clock through a dangerous web of literary lions and drug dealers, sadistic thugs and blue bloods, and competing members of Dickens’s inner circle. They soon realize that understanding Dickens’s lost ending is a matter of life and death, and the hidden key to stopping a murderous mastermind.

2021 National Jewish Book Award Winner - Children's Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children's Books of 2021, Tablet Magazine A Junior Library Guild Selection March 2022 The Best Children's Books of the Year 2022, Bank Street College 2022 First Place—Children's Book Nonfiction, Press Women of Texas 2022 First Place—Children's Book Nonfiction, National Federation of Press Women Eliza Davis believed in speaking up for what was right. Even if it meant telling Charles Dickens he was wrong. In Eliza Davis's day, Charles Dickens was the most celebrated living writer in England. But some of his books reflected a prejudice that was all too common at the time: prejudice against Jewish people. Eliza was Jewish, and her heart hurt to see a Jewish character in Oliver Twist portrayed as ugly and selfish. She wanted to speak out about how unfair that was, even if it meant speaking out against the great man himself. So she wrote a letter to Charles Dickens. What happened next is history.

Few writers have had a greater impact upon British society than Charles Dickens. His stories, and, in particular, his many memorable characters, highlighted the life of the forgotten poor and disadvantaged within society at a time when Britain was the leading economic and political power in the world. Dickens’ portrayal of the poor, such as Oliver Twist daring to ask for more food in the parish workhouse, and Bob Cratchit struggling to provide for his family at Christmas, roused much sympathy and an understanding of the poor and the conditions in which they lived. This led to many people founding orphanages, establishing schools to educate the underprivileged, or to set up hospitals for those who could not afford medical treatment – one such was Great Ormond Street Children’s Hospital where one of its wards was named after the great writer. Little wonder, then, that his legacy can be found across the UK. From the buildings where he lived, the inns and hotels he frequented, the streets and towns which formed the backdrop to his novels and short stories, to the places where he gave readings or performed his own amateur dramatic productions to raise funds for his philanthropic causes. Dickensian memorabilia also abound, including his original manuscripts to his famous works and letters to his wife. Many of these have been woven in a single volume which transports the reader magically through stories and images into the Dickensian world of Victorian Britain.

Volumes for 1898-1968 include a directory of publishers.

In The Great Tradition, published in 1948, F. R. Leavis seemed to rate the work of Charles Dickens - with the exception of Hard Times - as lacking the seriousness and formal control of the true masters of English fiction. By 1970, when Dickens the Novelist was published on the first centenary of the writer's death, Leavis and his lifelong collaborator Q. D. (Queenie) Leavis, had changed their minds. 'Our purpose', they wrote, 'is to enforce as unanswerably as possible the conviction that Dickens was one of the greatest of creative writers . . .' In seven typically robust and uncompromising chapters, the Leavises grapple with the evaluation of a writer who was then still open to dismissal as a mere entertainer, a caricaturist not worthy of discussion in the same breath as Henry James. Q. D. Leavis shows, for example, how deeply influential David Copperfield was on the work of Tolstoy, and explores the symbolic richness of the nightmare world of Bleak House. F. R. Leavis reprints his famous essay on Hard Times, with its moral critique of utilitarianism, and reveals the imaginative influence of Blake on Little Dorrit. Q. D. Leavis contributes a pathbreaking chapter on the importance of Dickens's illustrators to the effect of his work.

Explores the Christian convictions Charles Dickens held and displayed in his work, bringing the vital faith of an important and vastly popular writer to life.