500 pages, 150+ illustrations 71⁄2 × 91⁄4 in. 19.05 × 23.495 cm. Hat & Beard Press is celebrating Herman Melville's 200th birthday with a full-color edition of Moby-Dick, illustrated by the rediscovered art of Gilbert Wilson. Film director John Huston declared him "a brilliant artist and one of America's foremost painters." Pearl S. Buck sponsored an exhibition of his work in New York, and First Lady Eleanor Roosevelt wrote about his work in her newspaper column. Yet, for most of his life, artist Gilbert Brown Wilson (1907-1991) lived in relative obscurity, despite a critical splash in the 1930s. He sacrificed financial security for artistic freedom. An acolyte of Diego Rivera and an assistant to Rockwell Kent, Wilson became recognized for his gargantuan murals at Indiana State University and Antioch College, and for the controversy sparked by his "social realist" style. But Moby-Dick became Wilson's lifetime obsession, for which he produced more than 200 paintings and drawings, and helped inspire Huston's 1956 film adaptation starring Gregory Peck and Orson Welles. This large, coffee-table book will showcase never-before-published artwork, notes, and meditations on the novel--drawing from unprecedented access to Wilson's estate. The book will also provide a platform for the international art community to reassess and rediscover this remarkable man and his work. The edition pays homage to Melville's original text, while breathing new life into the story via Wilson's vibrant, timeless artwork. Critics have called Moby-Dick "the most ambitious book ever conceived by an American writer"--and Wilson's version will be the most ambitious illustrated edition of that book. Edited by Robert K. Elder Images courtesy of the Swope Art Museum.

An exploration of the emergence of a new psychedelic spirituality in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson. A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America? In High Weirdness, Erik Davis—America's leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America's West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.