Indigenous religions are now present not only in their places of origin but globally. They are significant parts of the pluralism and diversity of the contemporary world, especially when their performance enriches and/or challenges host populations. Indigenous Diasporas and Dislocations engages with examples of communities with different experiences, expectations and evaluations of diaspora life. It contributes significantly to debates about indigenous cultures and religions, and to understandings of identity and alterity in late or post-modernity. This book promises to enrich understanding of indigenity, and of the globalized world in which indigenous people play diverse roles.

Indo-Caribbean women writers are virtually invisible in the literary landscape because of cultural and social inhibitions and literary chauvinism. Until recently, the richness and particularities of the experiences of these writers in the field of literature and literary studies were compromised by stereotypical representations of the Indo-Caribbean women that were narrated from a purely masculine or an Afrocentric point of view. This book fills an important gap in an important but underestimated emergent field. The book explores how cultural traditions and female modes of opposition to patriarchal control were transplanted from India and rearticulated in the Indo-Caribbean diaspora to determine whether the idea of cultural continuity is, in fact, a postcolonial reality or a fictionalized myth. kala pani, to Trinidad and Guyana provided courage, determination, self-reliance and sexual independence to their literary granddaughters who in turn used the kala pani as the necessary language and frame of reference to position Indo-Caribbean female subjectivity with equating writing as a pubic declaration of one's identity and right to claim creative agency. The book is of critical interest to those interested in twentieth-century literary studies, Caribbean studies, gender studies, ethnic studies and cultural studies.

Mapping literature from Spanish-speaking sub-Saharan African and Afro-Latinx Caribbean diasporas, Decolonizing Diasporas argues that the works of diasporic writers and artists from Equatorial Guinea, Puerto Rico, the Dominican Republic, and Cuba offer new worldviews that unsettle and dismantle the logics of colonial modernity. With women of color feminisms and decolonial theory as frameworks, Yomaira C. Figueroa-Vásquez juxtaposes Afro-Latinx and Afro-Hispanic diasporic artists, analyzing work by Nelly Rosario, Juan Tomás Ávila Laurel, Trifonia Melibea Obono, Donato Ndongo, Junot Díaz, Aracelis Girmay, Loida Maritza Pérez, Ernesto Quiñonez, Christina Olivares, Joaquín Mbomio Bacheng, Ibeyi, Daniel José Older, and María Magdalena Campos-Pons. Figueroa-Vásquez’s study reveals the thematic, conceptual, and liberatory tools these artists offer when read in relation to one another. Decolonizing Diasporas examines how themes of intimacy, witnessing, dispossession, reparations, and futurities are remapped in these works by tracing interlocking structures of oppression, including public and intimate forms of domination, sexual and structural violence, sociopolitical and racial exclusion, and the haunting remnants of colonial intervention. Figueroa-Vásquez contends that these diasporic literatures reveal violence but also forms of resistance and the radical potential of Afro-futurities. This study centers the cultural productions of peoples of African descent as Afro-diasporic imaginaries that subvert coloniality and offer new ways to approach questions of home, location, belonging, and justice.

Includes statistics.

Making Home in Diasporic Communities demonstrates the global scope of the Filipino diaspora, engaging wider scholarship on globalisation and the ways in which the dynamics of nation-state institutions, labour migration and social relationships intersect for transnational communities. Based on original ethnographic work conducted in Ireland and the Philippines, the book examines how Filipina diasporans socially and symbolically create a sense of ‘home’. On one hand, Filipinas can be seen as mobile, as they have crossed geographical borders and are physically located in the destination country. Yet, on the other hand, they are constrained by immigration policies, linguistic and cultural barriers and other social and cultural institutions. Through modalities of language, rituals and religion and food, the author examines the ways in which Filipinas orient their perceptions, expectations, practices and social spaces to ‘the homeland’, thus providing insight into larger questions of inclusion and exclusion for diasporic communities. By focusing on a range of Filipina experiences, including that of nurses, international students, religious workers and personal assistants, Making Home in Diasporic Communities explores the intersectionality of gender, race, class and belonging. As such, it will appeal to scholars of sociology and anthropology as well as those with interests in gender, identity, migration, ethnic studies, and the construction of home.

It is estimated that more than 30 million people of Indian Subcontinental origin presently live outside their homeland. The present geo-political status of the Indian Subcontinental diaspora calls for more research and newer theorisation on how migrants from the Indian Subcontinent relocate, acculturate and renegotiate their identities in new host environments. This volume focuses on their historical, socio-cultural and economic patterns of migration and identity negotiation and formation within transnational discourses. While some of the chapters here focus on the nature of representations of the homeland and hostland in the works of Indian Subcontinental diasporic writers and film directors, others deal with the economic and historic aspects of the Indian Subcontinental diaspora. The book also includes chapters on women’s Kalapani crossings, liminal spaces, Anglo-Indian-Australian diaspora, Chinese-Indian-Canadian diaspora, and Indian Subcontinental-British home workers’ transnational space, ushering in a new era of diasporic identities.

Liminal Diasporas: Contemporary Movements of Humanity and the Environment offers readers a new lens through which to critically re-evaluate the necropolitics of migration. Using the term "liminal diasporas," the co-editors and range of authors define this notion as migratory bodies that are simultaneously subject to danger, violence, and precarious modalities of life. The chapters in this edited volume cover a range of topics including diasporic camp life for Palestinians, queer South Asian diasporas in the Caribbean, close readings of various texts, reformulations of "home" and "homeland," children’s play/games, and even representations of zombie diaspora. Overall, these chapters, along with the incisive Preface and Afterword that bookend them, offer compelling readings of what it means today to be a liminal diaspora before the era of COVID 19 into today’s woeful violence in Gaza, Ukraine, and other parts of the world. Liminal Diasporas, as such, is a timely and urgent collection that compels us to rethink the human condition in relation to possibly the most material existential crises that our planet has ever witnessed. The chapters in this book were originally published as a special issue of Journal of Postcolonial Writing.