Immigrants and Comics is an interdisciplinary, themed anthology that focuses on how comics have played a crucial role in representing, constructing, and reifying the immigrant subject and the immigrant experience in popular global culture of the twentieth and twenty-first centuries. Nhora Lucía Serrano and a diverse group of contributors examine immigrant experience as they navigate new socio-political milieux in cartoons, comics, and graphic novels across cultures and time periods. They interrogate how immigration is portrayed in comics and how the ‘immigrant’ was an indispensable and vital trope to the development of the comics medium in the twentieth century. At the heart of the book‘s interdisciplinary nexus is a critical framework steeped in the ideas of remembrance and commemoration, what Pierre Nora calls lieux de mémoire. This book will be of interest to students and scholars in Visual Studies, Comparative Literature, English, Ethnic Studies, Francophone Studies, American Studies, Hispanic Studies, art history, and museum studies.

Días de Consuelo is an intimate immigration memoir in the graphic tradition of "Persepolis" that connects the personal recollections of the author's abuela (grandmother) with the storm of events that made up one of the most important uprisings of the 20th century: The Mexican Revolution. This graphic novel introduces middle grade through adult readers to the captivating story of Consuelo, her mother Evarista, grandmother Isabel and sister Beatriz as their lives are upended apart by civil war. "Días de Consuelo" is also the perfect introduction to revolutionary figures like Pancho Villa and Emiliano Zapata, the series of uprisings that they led to put an end to centuries-old systems of oppression, and the toll that this violence took on daily life. With its expressive cartooning style, this book celebrates the Mexican-American experience in a way that has yet not been seen in the comics medium.

Por el camino andamos Esta es una novela filosófica que tiene el propósito de resolver esos problemas de todos los días, con los cuales nos enfrentamos por la sencilla razón de haber sido creados poseyendo el mejor de los regalos divinos, la libertad. Esa libertad que cuando bien utilizada nos lleva al éxito, y cuando no, nos lleva a la angustia y al fracaso . Dejemos pues, que Don Sebastián, maestro de filosofía, ilumine el camino de nuestra vida ayudandonos a transitar por esos caminos, y así, pensamiento por pensamiento y acción por acción cambiar, de la pobreza a la riqueza, de la dependencia a la independencia, de la ignorancia a la sabiduría, de la historia a la realidad, del pasado al presente dejándote llevar de la mano de la filosofía de todos los tiempos, la amiga eternal de toda la vida, porque como dice Don Sebastián. Por el camino andamos

During the advent of Chicano teatro, dozens of groups sprang up across the country in Chicano/a communities. Since then, teatristas have been leading voices in the creation and production of plays touching minds and hearts that galvanize audiences to action. Barrio Dreams is the first book to collect the work of one of Arizona’s foremost teatristas, playwright Silviana Wood. During her decades-long involvement in theater, Wood forged a reputation as a playwright, actor, director, and activist. Her works form a testimonio of Chicana life, steeped in art, politics, and the borderlands. Wood’s plays challenge, question, and incite women to consider their lot in life. She ruptures stereotypes and raises awareness of social issues via humor and with an emphasis on the use of the physical body on stage. The play Una vez, en un barrio de sueños . . . offers a glimpse into familiar terrain—the barrio and its dwellers—in three actos. In Amor de hija, a fraught mother-daughter relationship in contemporary working-class Arizona is dealt an additional blow as the family faces Alzheimer’s disease. In the tragedy A Drunkard’s Tale of Melted Wings and Memories, and in the trilingual (Spanish, English, and Yaqui) tragicomedy Yo, Casimiro Flores, characters love, live, die, travel through time and space, and visit the afterlife. And in Anhelos por Oaxaca, a grandfather travels back in time through flashbacks, as he and his grandson travel through homelands from Arizona to Oaxaca. Part of Wood’s genius is the way she portrays life in what Gloria Anzaldúa called “el mundo zurdo,” that space inhabited by the people of color, the poor, the female, and the outsiders. It is a place for the atravesados, the odd, the different, those who do not fit the mainstream. The people who inhabit Wood’s plays are common folk—janitors, mothers, grandmothers, and teenagers—hardworking people who, in one way or another, have made their way in life and who embody life in the barrio.

Caminos 3 offers students complete preparation for GCSE/Standard Grade through full coverage of all five Areas of Experience, Grades A*-G. Mixed abilities are catered for in one carefully structured Student's Book by the use of symbols to indicate differentiated activities. Student motivation is encouraged through the use of material appropriate for the 14-16 year age group in both content and style. Full support for the teacher is provided through detailed notes, National Curriculum cross referencing, tapescripts and answers as well as general teaching advice. Student's Book and worksheet activities are supported by 7 cassettes of audio material.

A riveting tale of Clarissa, a mystical church and the life of another Clarissa. Experience Clarissa's life in the days of classes. You in one but your true love in another. Lies, deceit and ultimate betrayal are the curse of a lovely woman trying to live the life she's always dreamt. The impact and hurt of those around her and the turn of events that seals the fate of both Clarissas forever.