The classic collection of personal prayers updated in modern, accessible language.

In 1880, George MacDonald self-published a long poem in book form—seven-line stanzas for each day of the year expressing his longings, struggles, and joys in everyday life. Now in this deluxe edition, the complete text of MacDonald's classic devotional resource is available with blank journaling pages and new annotations by Timothy Larsen.

Published and distributed by Marian Press, this bestselling Diary sparked the Divine Mercy Movement and chronicles the message that Jesus, the Divine Mercy, gave to the world through a humble nun. It reminds us to trust in His forgiveness - and as Christ is merciful, so, too, are we instructed to be merciful to others. The trade edition of this title is now in its 30th printing, with more than one million copies distributed worldwide since its release in 1981 in the original Polish edition.

Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.

In 1880, George MacDonald, the Scottish poet, novelist and preacher, in the wake of the deaths of two of his children, published A Book of Strife in the Form of the Diary of an Old Soul . This book, which unites grief and hope in hard-won faith, contains a poem for every day of the year. In the first edition of this classic collection there was a blank page opposite each page of poems. Readers were invited to write their own reflections on the "white page." MacDonald wrote: "Let your white page be ground, my print be seed, growing to golden ears, that faith and hope may feed." _._._._ Betty Aberlin, a native New Yorker of Russian-Jewish ancestry, raised in post-Holocaust orthodox atheism and nurtured in the arts, responded to MacDonald's invitation with daily poems of her own. Following the strict poetic form of The Diary of an Old Soul was an illuminating experience. In her own 7-line, 3-rhyme, 10-syllable pattern, Aberlin created a unique mixture of recurring themes and images drawing from Judaism, Christianity and her experiences as an actress and artist. Her vision is fresh and honest, revealing a keen observation of nature and human nature, from the exhilarations of faith, hope and love to the despairs of war, rejection and failure. Aberlin opens a path into spiritual reflection for the thoughtful reader to follow. _._._._ Here are a few of the accolades for The White Page Poems: _._._._ "In this labor of love, Betty Aberlin's close readings of George MacDonald's verses, and her thoughtful responses to them speak clearly of her poetic gifts and spiritual intelligence." Luci Shaw, poet and author. _._._._ "An awesome collection and collaboration." Daniel Berrigan, SJ, poet-in-residence, Fordham University. _._._._ "A fascinating new book . . . fresh and incisive." Don King, author of C.S. Lewis, Poet.

After a week of hearing ghostly noises, a man is visited in his home by the spirit of his mother, dead for three decades. She reproaches him for his dissolute life and begs him to have Masses said in her name. Then she lays her hand on his sleeve, leaving an indelible burn mark, and departs... A Lutheran minister, no believer in Purgatory, is the puzzled recipient of repeated visitations from "demons" who come to him seeking prayer, consolation, and refuge in his little German church. But pity for the poor spirits overcomes the man's skepticism, and he marvels at what kind of departed souls could belong to Christ and yet suffer still... Hungry Souls recounts these stories and many others trustworthy, Church-verified accounts of earthly visitations from the dead in Purgatory. Accompanying these accounts are images from the "Museum of Purgatory" in Rome, which contains relics of encounters with the Holy Souls, including numerous evidences of hand prints burned into clothing and books; burn marks that cannot be explained by natural means or duplicated by artificial ones. Riveting!