This is Jennifer "Jenny Bunns" Young's last volume of Diary of an Apprentice, her comic strip diary about her life as a Midwestern transplant living in the American South as a tattoo artist/apprentice. It recounts her last days at her alma mater, Skinwerks Tattoo & Design in Carrollton, GA, and her first day at her new studio, Timeless Tattoo in Atlanta, GA. She will pick up where she left off in her new upcoming diary series, The Inkbunny Diaries.

In the bustling cities of the mid-nineteenth-century Northeast, young male clerks working in commercial offices and stores were on the make, persistently seeking wealth, respect, and self-gratification. Yet these strivers and "counter jumpers" discovered that claiming the identities of independent men—while making sense of a volatile capitalist economy and fluid urban society—was fraught with uncertainty. In On the Make, Brian P. Luskey illuminates at once the power of the ideology of self-making and the important contests over the meanings of respectability, manhood, and citizenship that helped to determine who clerks were and who they would become. Drawing from a rich array of archival materials, including clerks’ diaries, newspapers, credit reports, census data, advice literature, and fiction, Luskey argues that a better understanding of clerks and clerking helps make sense of the culture of capitalism and the society it shaped in this pivotal era.

This book explores medical and health periodicals of the nineteenth century: their contemporary significance, their readership, and how historians have approached them as objects of study. From debates about women doctors in lesser-known titles such as the Medical Mirror, to the formation of professional medical communities within French and Portuguese periodicals, the contributors to this volume highlight the multi-faceted nature of these publications as well as their uses to the historian. Medical periodicals – far from being the preserve of doctors and nurses – were also read by the general public. Thus, the contributions collected here will be of interest not only to the historian of medicine, but also to those interested in nineteenth-century periodical culture more broadly. The chapters in this book were originally published as a special issue of the journal Media History.

Discover the astonishing and peculiar history of medicine with this perfect gift for history buffs, doctors, and anyone looking to be amazed by the brilliant and bizarre ideas that shaped the world of medicine as we know it. From the use of electric eels in ancient Egypt to medieval dentists burning candles to combat invisible worms, this book uncovers the weirdest medical practices throughout history, highlighting the most dubious ideas, strangest treatments, and biggest blunders. Entertaining, shocking, and sometimes stomach-turning, Strange Medicine presents strange but true facts and an honor roll of doctors, scientists, and dreamers who inadvertently turned the clock of medicine backward. Did you know: • Renaissance physicians timed surgical procedures according to the position of the stars? • Blood from beheadings was believed to cure epilepsy? • Dr. Walter Freeman, the world’s foremost practitioner of lobotomies, practiced his craft while traveling on family camping trips, hammering ice picks into the eye sockets of his patients in between hikes in the woods? Strange Medicine is an illuminating panorama of medical history as you’ve never seen it before.

The Oxford Handbook of Charles Dickens is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.

In this engaging book—the first to historicize our understanding of sexual harassment in the workplace—Julie Berebitsky explores how Americans’ attitudes toward sexuality and gender in the office have changed from the 1860s, when women first took jobs as clerks in the U.S. Treasury office, to the present. Berebitsky recounts the actual experiences of female and male office workers; draws on archival sources ranging from the records of investigators looking for waste in government offices during World War II to the personal papers of Cosmopolitan editor Helen Gurley Brown and Ms. magazine founder Gloria Steinem; and explores how popular sources—including cartoons, advertisements, advice guides, and a wide array of fictional accounts—have represented wanted and unwelcome romantic and sexual advances. By giving sex in the office a history, she provides valuable insights into the nature and meaning of sexual harassment today.