An unexpected rogue attack changed the life of Kayla Xanders. She lost her family as well as half of her pack. At just sixteen, she took over as the Alpha of the Crescent moon pack and vows to avenge the murder of her family. Seven years later, she had become a ruthless Alpha, feared and respected by all. When she meets her mate, Zane, a playboy with an attitude, she rejects him outright. Soon, they start their games against each other. Why did she really reject Zane? And will he ever win her over?

Ever wondered why your spine tingles when Hannibal Lecter escapes from custody? Or why a narcissistic, womanizing assassin for Her Majesty's Secret Service is revered worldwide as a fictional hero? Or why you feel a thrill when Frank Underwood manipulates a naïve senator? Or why you root for Tom Ripley to avoid the clutches of the Italian police? Psychopath? takes you on a journey through the world of fictional villains and antiheroes – the lying, the cheating and the murder. Are they psychopaths in the true sense? Guided by the Hare Psychopathy Checklist, this book examines whether a fictional forensic psychologist might come to that very conclusion. More importantly, why do you long for the antihero to succeed? With each nefarious deed, sympathy and loyalty are garnered, pulling you in deeper with every turn of the page until finally, irresistibly you find yourself plotting with the psychopath.

The novels of David Foster Wallace, Dave Eggers and Jonathan Safran Foer are increasingly regarded as representing a new trend, an 'aesthetic sea change' in contemporary American literature. 'Post-postmodernism' and 'New Sincerity' are just two of the labels that have been attached to this trend. But what do these labels mean? What characterizes and connects these novels? Den Dulk shows that the connection between these works lies in their shared philosophical dimension. On the one hand, they portray excessive self-reflection and endless irony as the two main problems of contemporary Western life. On the other hand, the novels embody an attempt to overcome these problems: sincerity, reality-commitment and community are portrayed as the virtues needed to achieve a meaningful life. This shared philosophical dimension is analyzed by viewing the novels in light of the existentialist philosophies of S�ren Kierkegaard, Jean-Paul Sartre, Ludwig Wittgenstein and Albert Camus.

In Decoding the Past, Peter Loewenberg has collected eleven of his brilliant essays on psychohistory, a discipline that has emerged from the synthesis of traditional historical analysis and clinical psychoanalysis. He surveys this relatively new fi eld-its methods and its problems-to show the special contributions that psychoanalysis can make to history. He then further explores the psychohistorical method by applying it to studies of personality, cultures, groups, and mass movements, demonstrating that psychohistory offers one of the most powerful of interpretive approaches to history.

In 1918 a young Carl Schmitt published a short satirical fiction entitled The Buribunks. He imagined a future society of beings who consistently wrote and disseminated their personal diaries. Schmitt would go on to become the infamous philosopher of the exception and for a while the ‘Crown Jurist of the Third Reich’. The Buribunks – ironically for beings that lived only for self-memorialisation – has been mostly lost to history. However, the digital realm, with its emphasis on the informatic traces generated by human doing, and the continual interest in Schmitt’s work to explain and criticise contemporary constellations of power, suggests that The Buribunks is a text whose epoch has come. This volume includes the first full translation into English of The Buribunks and a selection of critical essays on the text, its meanings in the digital present, its playing with and criticism of the literary form, and its place within Schmitt’s life and work. The Buribunks and the essays provide a complex, critical and provocative invitation to reimagine the relations between the human and their imprint and legacy within archives and repositories. There is a fundamental exploration of what it means to be a being intensely aware of ‘writing itself’. This is not just a volume for critical lawyers, literary scholars and the Schmitt literati. It is a volume that challenges a broad range of disciplines, from philosophy to critical data studies, to reflect on the digital present and its assembled and curated beings. It is a volume that provides a set of fantastically located concepts, images and histories that traverse ideas and practices, play and politics, power and possibility.

Can narcissists and psychopaths be cured? Can their behaviour be modified? How are these mental health disorders diagnosed?