Diary Of A Genius stands as one of the seminal texts of Surrealism, revealing the most astonishing and intimate workings of the mind of Salvador Dali, the eccentric polymath genius who became the living embodiment of the 20th century's most intensely subversive, disturbing and influential art movement.Includes a revelatory essay on Dali by the author JG Ballard.This new de-luxe edition of the widely-acclaimed autobiography comes in a larger format and with additional illustrations. Copyright © Libri GmbH. All rights reserved.

This classic text stands as one of the seminal works of Surrealism, revealing the most astonishing and intimate workings of the mind of Salvador Dali, the eccentric polymath genius who became the living embodiment of the 20th's century most intensely subversive, disturbing and influential art movement. This volume covers his life from 1952 to 1963 and includes a brilliant and revelatory essay on Dali, and the importance of his art to the 20th century, by acclaimed author JG Ballard.

This book examines the origin, content, and development of the musical thought of Heinrich Schenker and Arnold Schoenberg. One of the premises is that Schenker’s and Schoenberg’s inner musical lives are inseparable from their inner spiritual lives. Curiously, Schenker and Schoenberg start out in much the same musical-spiritual place, yet musically they split while spiritually they grow closer. The reception of Schenker’s and Schoenberg’s work has sidestepped this paradox of commonality and conflict, instead choosing to universalize and amplify their conflict. Bringing to light a trove of unpublished material, Arndt argues that Schenker’s and Schoenberg’s conflict is a reflection of tensions within their musical and spiritual ideas. They share a particular conception of the tone as an ideal sound realized in the spiritual eye of the genius. The tensions inherent in this largely psychological and material notion of the tone and this largely metaphysical notion of the genius shape both their musical divergence on the logical (technical) level in theory and composition, including their advocacy of the Ursatz versus twelvetone composition, and their spiritual convergence, including their embrace of Judaism. These findings shed new light on the musical and philosophical worlds of Schenker and Schoenberg and on the profound artistic and spiritual questions with which they grapple.

Captain Jay Marsh had never questioned where his ultimate loyalty lay. He had witnessed the bloody horror left behind by the retreating Japanese army during World War II's final days. And he had abandoned his beautiful Filipina fiancée to see his duty through. But not even Marsh could guess the terrible personal price he would have to pay for his loyalty. He would follow General Douglas MacArthur to Tokyo itself. There he would become the brilliant, egocentric general's confidant, translator, surrogate son--and spy. Marsh would play a dangerous game of deliberate deceit and brutal injustice in the shadow world of postwar Japan's royal palaces and geisha houses, and recognize that the defeated emperor and his wily aides were exploiting MacArthur's ruthless ambition to become the American Caesar. The Emperor's General is a dramatic human story of the loss of innocence and the seduction of power, about the conflict between honor, duty, and love, all set against an extraordinary historical backdrop.