This intriguing book is a diary written by John William Polidori in 1816, during the so-called 'Year without a Summer, ' which he spent in Switzerland with Lord Byron and Percy Bysshe Shelley. The diary provides an unparalleled glimpse into the private lives of these famous writers, and is accompanied by illuminating annotations by William Michael Rossetti. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 1911, this vintage book contains extracts from the diary of John William Polidori, and chiefly those parts relating to his relationships with Byron, Shelley, and others of the Romantic movement. John William Polidori (7 September 1795 – 24 August 1821) was an English writer and physician famous for his associations with the Romantic movement and for being, as many maintain, the creator of the vampire genre of fantasy fiction. His most notable work was the short story "The Vampyre" (1819). This volume will appeal to those with an interest in the life of Polidori and especially those who he associated with, namely Lord Byron and Percy Bysshe Shelley. Other notable works by this author include: “Cajetan” (1816), “Boadicea” (1816), and “On the Punishment of Death” (1816). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction of the author.

Excerpt from The Diary of Dr. John William Polidori, 1816: Relating to Byron, Shelley, Etc One of these writings is the text to a volume, published in 1821, entitled Sketches Illustrative of tile Manners and Costumes of France, Switzerland, ana7 Italy, by R. Bridgens. The name of Polidori is not indeed recorded in this book, but I know as a certainty that he was the writer. One of the designs in the volume shows the costume of women at Lerici just about the time when Shelley was staying there, in the closing months of his life, and a noticeable costume it was. Polidori himself - though I am not aware that he ever received any instruction in drawing worth speaking of - had some considerable native gift in sketching faces and figures with lifelike expression; I possess a few examples to prove as much. The Diary shows that he took some serious and intelligent interest in works of art, as well as in literature; and he was clearly a rapid and somewhat caustic judge of character perhaps a correct one. He was a fine, rather romantic looking young man, as evidenced by his portrait in the National Portrait Gallery, accepted from me by that Institution in 1895. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.