Diaries of a Forgotten Parent: Divorced Dads on Fathering Through and Beyond Divorce opens an intimate window on the lives of divorced men. Literature on divorce focuses primarily on its effects on women and children, but fair and personal accounts of the lived experiences of custodial and non-custodial fathers are less available. In this highly accessible text, ten American men share intensely personal reflections of guilt, pain, frustration, sacrifice, loneliness and pride. The men do not see themselves as exemplary; rather, their stories are graphically honest, revealing what Paterson calls ordinary men “with all their warts.” The author reviews significant works on the male experience of divorce from psychological, legal, educational and sociological experts, interspersing commentary and research with the men’s own voices. From the initial discussion of why men marry and why they divorce through the men’s painful memories of being pushed out of their children’s lives by angry and resentful mothers, the author illuminates the legal, fiscal, emotional and practical experiences of men struggling to reinvent their fathering while they find themselves reconfigured into deserters, deadbeats and visitors. The societal myth that fathers are less valuable parents than mothers is thoroughly deconstructed in this text. The book will help divorced and divorcing men and those who work with them to fully understand the experiences of fathers who never stopped loving and caring for their children, in spite of the fact that the contributions of fathers are still largely discounted by schools, courts, and worst of all, by their children’s mothers. From this book, readers will understand that there are just too many reasons why fathers must never be forgotten in the lives of their children.

'The history of childhood is an area so full of errors, distortion and misinterpretation that I thought it vital, if progress were to be made, to supply a clear review of the information on childhood contained in such sources as diaries and autobiographies.' Dr Pollock's statement in her Preface will startle readers who have not questioned the validity of recent theories on the evolution of childhood and the treatment of children, theories which see a movement from a situation where the concept of childhood was almost absent, and children were cruelly treated, to our present western recognition that children are different and should be treated with love and affection. Linda examines this thesis particularly through the close and careful analysis of some hundreds of English and American primary sources. Through these sources, she has been able to reconstruct, probably for the first time, a genuine picture of childhood in the past, and it is a much more humane and optimistic picture than the current stereotype. Her book contains a mass of novel and original material on child-rearing practices and the relations of parents and children, and sets this in the wider framework of developmental psychology, socio-biology and social anthropology. Forgotten Children admirably fulfils the aim of its author. In the face of this scholarly and elegant account of the continuity of parental care, few will now be able to argue for dramatic transformations in the twentieth century.

One winter's morning, illustrator Barroux was walking down a street in Paris when he made an incredible discovery: the diary of a soldier from the First World War. Barroux rescued the diary from the rubbish and subsequently illustrated the soldier's words. We have no idea who our soldier is or what became of him. We just have his own words about the first two months of the war, and Barroux's accompanying images.

When Spencer's best mate Zac starts wearing baggy trousers and huge trainers, buys himself a skateboard, and even starts going on dates with girls, Spencer is determined to stay exactly as he is. Suggested level: intermediate, junior secondary.

A New York Times Best Book of the Year A Kids' Indie Next List An Indies Introduce Selection New York Public Library's Best of the Year ABC Group Best Books for Young Readers "A transformative, noteworthy debut. A philosophical read, begging discussion and interpretation."—Pam Muñoz Ryan, New York Times ★ "Algorta's narrative glides with skillful pacing and poetic yet accessible language; Rickenmann's soft, detail-rich illustrations tonally match the refined internal rhythm of the prose."—Publishers Weekly (starred) ★ "Poetic...lyrical and moving novel with a melancholic ode to coming of age."—Foreword Reviews (starred) ★ "An unmissable tale about loss and reclamation."—Kirkus (starred) "A memorable and meaningful ride."—Horn Book Fabio flies through the streets of Bogotá on his bicycle, the children of his neighborhood trailing behind him. It is there that life feels right—where the world of adults, and their lies, fades away. But then one day, he simply forgets. Forgets how to ride his bicycle. And Fabio will never be the same again. From Colombia comes a special debut talent, Alejandra Algorta, and a first novel of discovery and heartbreak. Algorta's distinct and poetic prose has been translated by award-winning author Aida Salazar, and presented in English and Spanish.

Diarist, war correspondent for The Times (1808-9), lawyer, who included Johann Wolfgang von Goethe, Friedrich Schiller, William Wordsworth, Madame de Stael, Samuel Taylor Coleridge, Charles Lamb, and many others, as friends and acquaintences ; and with his friend Thomas Clarkson worked for the abolition of the African slave trade.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?