“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html

The essays in this collection survey the work of some of the most important British and Irish novelists of today. They not only consider afresh the work of novelists who established their reputations before 1960, such as Doris Lessing and William Golding; they also discuss the work of more recent novelists, among them Kazuo Ishiguro, Angela Carter and Graham Swift. The contributors are drawn from various parts of the English-speaking world, and provide a variety of original perspectives on the novelists concerned.

The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.

Based on reports from American repositories of manuscripts.

1. Shakespeare, cultural materialism and the new historicism-2. Renaissance authority and its subversion, Henry IV and Henry V.- 3. This thing of darkness I acknowledge mine: The Tempest and the discourse of Colonialism. - 4. Transgressioon and surveillance in Measure for Measure. - 5. The patriarchal bard: feminist criticism and Shakespeare: King Lear and Measure for Measure. - 6. Strategies of State and political plays: A Midsummer Nights̀ Dream, Henry V, Henry VIII. - 7. Shakespeare understudies: the sodomite, the prostitute, the transvestite and their critics. - 8. Introduction: Reproductions, interventions. - 9. Givee an account of Shakespeare and Education, showing why you think they are effective and what you have appreciated about them. Support your comments with precise references. - 10. Royal Shakespeare: theatre and the making of ideology. - 11. Radical potentiality and institutional closure:Shakespeare in film and television. - 12. How Brecht read Shakespeare. - 13. Heritage and the market, regulation and desublimation.

Darwin’s concept of natural selection has been exhaustively studied, but his secondary evolutionary principle of sexual selection remains largely unexplored and misunderstood. Yet sexual selection was of great strategic importance to Darwin because it explained things that natural selection could not and offered a naturalistic, as opposed to divine, account of beauty and its perception. Only now, with Darwin and the Making of Sexual Selection, do we have a comprehensive and meticulously researched account of Darwin’s path to its formulation—one that shows the man, rather than the myth, and examines both the social and intellectual roots of Darwin’s theory. Drawing on the minutiae of his unpublished notes, annotations in his personal library, and his extensive correspondence, Evelleen Richards offers a richly detailed, multilayered history. Her fine-grained analysis comprehends the extraordinarily wide range of Darwin’s sources and disentangles the complexity of theory, practice, and analogy that went into the making of sexual selection. Richards deftly explores the narrative strands of this history and vividly brings to life the chief characters involved. A true milestone in the history of science, Darwin and the Making of Sexual Selection illuminates the social and cultural contingencies of the shaping of an important—if controversial—biological concept that is back in play in current evolutionary theory.