As she prepared for bed, Diana was feeling pretty satisfied with herself. She had managed to put a little dent in Davi's normally calm exterior; something she hadn't had the opportunity to do in far too many years. The Trouble Twins had pushed Davi beyond endurance quite a few times. It had been Davi who had given them that name and they’d become rather proud of it. But when he called them disease and pestilence, they knew they had gone too far and scampered away as far as they could get. Diana snuggled under the covers and bid her sister good night, but she was far from sleepy. She was home, Will was home and Thomas would be here in the next day or two. They would finally all be together. Not for long, she knew. Will would return to Dilham with Grandfather, Thomas would be knighted and enter the king's service (another price paid for supposedly supporting Richard III) and Elizabeth would journey to Fallonslair to foster with Cousin Catherine. Only she and Hal would be left. Diana sighed and rolled over, twitching the covers securely around her shoulders once more. She had learned long ago to make the best of any situation and could not let herself be gloomy when all was right with her world. And Davi? Diana was surprised when he popped back into her thoughts. There must be a reason she would think of him now. Of course, Davi had been like a member of the family since before she was born. In fact, her father had actually saved his life some twenty years before. But he was still a young man, not a blood relative, and most decidedly good-looking. Considering his reaction to her earlier, he might be a good candidate to practice her womanly wiles. Not that she had many wiles with which to practice, but she had to start somewhere. With a very satisfied smile at her newest and most daring plan ever, Diana fell peacefully asleep.

Lulia Vasile is the daughter of a Romany princess and an Earl’s second son. She grew up playing roles in a traveling theater, performing at county fairs, and has dabbled in fortune telling. She makes no apologies for who she is, and lives life as she pleases. Finley Prescott, the Duke of Clare, doesn't leave his townhouse unless it's necessary. He has responsibilities and people who depend on him. All he wants is to disappear from the world. He doesn’t do well in large gatherings and lacks social graces. Fin and Lulia have a history. One that neither one has forgotten. When they meet again they are drawn together. After that chance meeting they share a magical kiss. Along the way they discover that sometimes the one thing a person needs isn’t what they would expect.

Gypsies have lived in England since the early sixteenth century, yet considerable confusion and disagreement remain over the precise identity of the group. The question 'Who are the Gypsies?' is still asked and the debates about the positioning and permanence of the boundary between Gypsy and non-Gypsy are contested as fiercely today as at any time before. This study locates these debates in their historical perspective, tracing the origins and reproduction of the various ways of defining and representing the Gypsy from the early sixteenth century to the present day. Starting with a consideration of the early modern description of Gypsies as Egyptians, land pirates and vagabonds, the volume goes on to examine the racial classification of the nineteenth century and the emergence of the ethnic Gypsy in the twentieth century. The book closes with an exploration of the long-lasting image of the group as vagrant and parasitic nuisances which spans the whole period from 1500 to 2000.

The first monograph to be published on Gypsies in Britain using the perspective of social anthropology.

As a young girl Diana decided she liked fencing more than being a proper lady, but sometimes embracing the rules of society is a necessary evil. Fortuna’s Parlor gives her the opportunity to utilize her love of fencing, and ton balls are the perfect place to hold the clandestine matches. Roguish behavior, gambling, and expensive brandy are Luther Wright, Earl of Northesk’s favorite vices. They each play a part in burying the demons that haunt him. One night everything changes and he is forced to question every decision he’s made. After a chance encounter at one of Diana’s fencing matches Luther decides to court her. Her strong will and his need to protect her clash—only time will tell if they are able to find a way past their differences, and in turn, an enduring love.

Gypsy Joe is not only a story of redemption, but an uplifting account of a young gypsy determined to realize his dream. Joe Smith tells of his formative years travelling the country in a caravan and how he encountered crushing prejudice when his extraordinary talents as a golf boy prodigy became apparent.Disillusioned, he recounts a downward spiral and a life of criminality before pulling back from the brink and making the most of his life.The Observer selected the book as their Sports Book of the Year 2009 saying: "e;One of the best golf books written this year; although the cheque books come out for the scandal, this true story of thwarted ambition, criminality, violence and redemption has substance. A courageous story shot through with intelligence and humanity."e;"e;What comes across in this book is family loyalty, raw courage and violence but there is also intelligence and humanity."e;Chris Blackhurst -- Evening Standard, 23 June 2009

“Simply put, there is absolutely nothing on the market with the range of ambition of this strikingly eclectic collection of essays. Not only is it impossible to imagine a more comprehensive view of the subject, most readers – even specialists in the subject – will find that there are elements of the Gothic genre here of which they were previously unaware.” - Barry Forshaw, Author of British Gothic Cinema and Sex and Film The Palgrave Handbook of Contemporary Gothic is the most comprehensive compendium of analytic essays on the modern Gothic now available, covering the vast and highly significant period from 1918 to 2019. The Gothic sensibility, over 200 years old, embraces its dark past whilst anticipating the future. From demons and monsters to post- apocalyptic fears and ecological fantasies, Gothic is thriving as never before in the arts and in popular culture. This volume is made up of 62 comprehensive chapters with notes and extended bibliographies contributed by scholars from around the world. The chapters are written not only for those engaged in academic research but also to be accessible to students and dedicated followers of the genre. Each chapter is packed with analysis of the Gothic in both theory and practice, as the genre has mutated and spread over the last hundred years. Starting in 1918 with the impact of film on the genre's development, and moving through its many and varied international incarnations, each chapter chronicles the history of the gothic milieu from the movies to gaming platforms and internet memes, television and theatre. The volume also looks at how Gothic intersects with fashion, music and popular culture: a multi-layered, multi-ethnic, even a trans-gendered experience as we move into the twenty first century.