Popular and government-funded anniversaries and commemorations, combined with national symbols, play significant roles in shaping how we view Canada, and also provide opportunities for people to challenge the pre-existing or dominant conceptions of the country. Volume 2 of Celebrating Canada continues the scholarly debate about commemoration and national identity. Raymond B. Blake and Matthew Hayday bring together emerging and established scholars to consider key moments in Canadian history when major anniversaries of Canada’s political, social, or cultural development were celebrated. The contributors to this volume capture the multiple and multi-layered meanings of belonging in the Canadian experience, investigate various attempts at shaping and re-shaping identities, and explore episodes of groups resisting or participating in the identity-formation process. By considering the small voices and those on the margins of Canada’s many commemorative anniversaries, the contributors to Celebrating Canada reveal how important it is to think not only about anniversary moments but also about what they can tell us about our history and the shifting function of nationalism.

A celebration in medals of Queen Elizabeth II’s 60 years as our monarch. On the occasion of the diamond jubilee of Queen Elizabeth II’s accession to the throne as Queen of Canada, Canada has followed a long tradition of recommending to Her Majesty the institution of a commemorative medal to mark this auspicious milestone. Commemorative Medals of The Queen’s Reign in Canada, 1952-2012 examines in detail this element of the Canadian honours system. This short and accessible work provides the reader with an interesting and informative study of the honours that have recognized nearly a quarter of a million Canadians over the past six decades. Fully illustrated in colour, the book recounts the history and development of the commemorative medals awarded during The Queen’s 60 years as monarch.

In From Nothing to 90, Will Klein chronicles his life from hardscrabble beginnings as an adopted child in a Saskatchewan family struggling through the “Dirty Thirties” to early success as a newsboy and onto great business achievement despite numerous setbacks throughout his life. In colourful, humorous, observant prose, Will takes readers from Depression-era Saskatchewan through his rise in business in the early days of television to his leadership in a storied public service organization that takes him around the world and into a whirlwind of political machinations that threatens to destroy him. At its heart, From Nothing to 90 is an inspiring story about Saskatchewan: its history, hardships, and opportunities. But it’s also a book about individual initiative, seizing opportunity, and never giving up even after government betrayal and setbacks that might appear insurmountable.

Performance embodies knowledge transfer, cultural expression, and intercultural influence. It is a method through which Indigenous people express their relations to land and continuously establish their persistent political authority. But performance is also key to the misrepresentation of Indigenous peoples in settler colonial societies. Against the Current and Into the Light challenges dominant historical narratives of the land now known as Stanley Park, exploring performances in this space from the late nineteenth century to the present. Selena Couture engages with knowledge held in an endangered Indigenous language's place names, methods of orientation in space and time, and conceptions of leadership and respectful visiting. She then critically engages with narratives of Vancouver history created by the city's first archivist, J.S. Matthews, through his interest in Lord Stanley's visit to the park in 1889. Matthews organized several public commemorative performances on this land from the 1940s to 1960, resulting in the iconic yet misleading statue of Lord Stanley situated at the park's entrance. Couture places Matthews's efforts at commemoration alongside continuous political interventions by Indigenous people and organizations such as the Native Brotherhood of British Columbia, while also responding to contemporary performances by Indigenous women in Vancouver that present alternative views of history. Using the metaphor of eddies of influence - motions that shape and are shaped by obstacles in their temporal and spatial environments - Against the Current and Into the Light reveals how histories of places have been created, and how they might be understood differently in light of Indigenous resurgence and decolonization.