Drawing ideas from the works of George Herbert Mead, Mikhail Bakhtin, Kenneth Burke, and the American pragmatic philosophers, Dialogues, Dramas, and Emotions: Essays in Interactionist Sociology argues that the verbal interactions of human agents are characterized by addresses and rejoinders, which Bakhtin called dialogues. These moves conform to what Burke called dramatism. Robert Perinbanayagam uses examples both from dramatic literature and everyday conversations to demonstrate how everyday interactions are inescapably dramas, conducted through the use of dialogues in order to promote mutual understanding. Along with analyzing the dialogues themselves, the author also examines what comes to play in these interactions and shows the various consequences of these emotionalities in ongoing human relationships.

The beautiful Martina Josefina Catalina Cucaracha doesn't know coffee beans about love and marriage, so when suitors come calling, what is she to do? Luckily, she has her Cuban family to help! While some of the Cucarachas offer Martina gifts to make her more attractive, only Abuela, her grandmother, gives her some useful advice: spill coffee on his shoes to see how he handles anger. At first, Martina is skeptical of her Abuela's suggestion, but when suitor after suitor fails the Coffee Test, she wonders if a little green cockroach can ever find true love. After reading this award-winning retelling of the Cuban folktale, readers will never look at a cockroach the same way again. Carmen Agra Deedy delivers a delightfully inventive Cuban twist on the beloved Martina folktale, complete with a dash of café Cubano.

Confident Parents, Confident Kids lays out an approach for helping parents—and the kids they love—hone their emotional intelligence so that they can make wise choices, connect and communicate well with others (even when patience is thin), and become socially conscious and confident human beings. How do we raise a happy, confident kid? And how can we be confident that our parenting is preparing our child for success? Our confidence develops from understanding and having a mastery over our emotions (aka emotional intelligence)—and helping our children do the same. Like learning to play a musical instrument, we can fine-tune our ability to skillfully react to those crazy, wonderful, big feelings that naturally arise from our child’s constant growth and changes, moving from chaos to harmony. We want our children to trust that they can conquer any challenge with hard work and persistence; that they can love boundlessly; that they will find their unique sense of purpose; and they will act wisely in a complex world. This book shows you how. With author and educator Jennifer Miller as your supportive guide, you'll learn: the lies we’ve been told about emotions, how they shape our choices, and how we can reshape our parenting decisions in better alignment with our deepest values. how to identify the temperaments your child was born with so you can support those tendencies rather than fight them. how to align your biggest hopes and dreams for your kids with specific skills that can be practiced, along with new research to support those powerful connections. about each age and stage your child goes through and the range of learning opportunities available. how to identify and manage those big emotions (that only the parenting process can bring out in us!) and how to model emotional intelligence for your children. how to deal with the emotions and influences of your choir—the many outside individuals and communities who directly impact your child’s life, including school, the digital world, extended family, neighbors, and friends. Raising confident, centered, happy kids—while feeling the same way about yourself—is possible with Confident Parents, Confident Kids.

A comprehensive study of the different shapes and conventions of dialogue in major drama from Aeschylus to modern times. Following a sustained discussion of the special nature of dramatic dialogue the author singles out for detailed study the duologue of personal encounter between protagonists. The historical perspective is illustrated by close analysis of certain passages from Greek tragedy, Shakespeare, Jonson, Restoration Comedy, Ibsen, Strindberg, Brecht, O'Neill, Albee, Shepard, Beckett, Pinter and Stoppard. The duologues have been grouped so as to illuminate both the type of dramatic situation embodied, e.g. recognition, confession, the combat of wit, and the verbal style employed, from Greek stichomythis to the slangy contest of American rock stars. Andrew Kennedy presents the language and convention of each duologue as part of the play's total sign system. The critical approach integrates the formal and existential aspects of drama and theatre, showing both the emotional transformations and the changing modes of expression made possible in and through dialogue.

The long-awaited follow-up to the perennially bestselling writers' guide Story, from the most sought-after expert in the art of storytelling. Robert McKee's popular writing workshops have earned him an international reputation. The list of alumni with Oscars runs off the page. The cornerstone of his program is his singular book, Story, which has defined how we talk about the art of story creation. Now, in DIALOGUE, McKee offers the same in-depth analysis for how characters speak on the screen, on the stage, and on the page in believable and engaging ways. From Macbeth to Breaking Bad, McKee deconstructs key scenes to illustrate the strategies and techniques of dialogue. DIALOGUE applies a framework of incisive thinking to instruct the prospective writer on how to craft artful, impactful speech. Famous McKee alumni include Peter Jackson, Jane Campion, Geoffrey Rush, Paul Haggis, the writing team for Pixar, and many others.

The Colourful Drama of Emotions’ revolves around the love between two main emotions- HUMOUR and HESITATION with a plenty of other emotions as the supporting characters. Smile indicates the sweetness of heart and calmness indicates the maturity of mind. Having both in challenging situations indicate the completeness of being HUMAN. The love story helps in arriving at a path which might eventually lead to a more blissful soul. Each of us is a bundle of several emotions and it is very important that all these run in the proper direction for the effective functioning of the mind. If all the emotions could be personified, on one hand, it becomes so amusing to see them act, behave and fight as humans; but, on the other hand, it can be realized that all the emotional drama happen inside one small brain and this is true for each and every individual on this earth.

This book looks at mediaeval English drama using the theoretical frameworks of historical sociopragmatics and dialogue analysis. It focuses on the collection of cycle plays known as the N.Town Plays, preserved in a manuscript from the fifteenth century. The book examines various linguistic markers that are important for the expression of social relations and pragmatic stance: pronouns and terms of address, modal markers, performatives, and sequential structures such as question-answer, imperative-compliance, etc. These elements are examined separately and then brought together to arrive at a more integrated analysis of dramatic dialogue and of the dynamics of interaction it portrays. A separate chapter is devoted to tracing the same mechanisms on a different communication level, i.e. in 'dialogue' with the audience, which is particularly relevant to the instructional purposes of the plays. The book will be useful to students and scholars of pragmatics, historical linguistics, dialogue studies and drama studies.