“It connects emotionally with the audience, and is wittily written ... Bullmore makes you like, and believe in, her three characters ... The play also has a careering energy ... impossible not to like.” The Guardian Aged 18, three women join forces. Life is fun. Living is intense. Together they feel unassailable. Di and Viv and Rose charts the steady but sometimes chaotic progression of these three women's lives, from the highs to the lows, the problems that force them apart and their ultimately enduring bonds. A humorous and thoughtful exploration of friendship's impact on life and life's impact on friendship, this bittersweet comedy premiered at the Hampstead Theatre, London, in 2013. This new Modern Classics edition features an introduction by Professor Elizabeth Kuti.

'My loves, what are we to do? We don't do as they want any more, and they hate it. What are we to do?' Four determinedly 'liberated' – and very different – women ricochet around a tiny shared flat, while trying to pull together the shattered strands of their lives: Dusa is struggling to regain her children from their father, Fish is losing her lover to another woman, Stas is on the game to finance the course she wants to study at university, while Vi steadfastly refuses to eat.... A bitingly sardonic modern classic, widely regarded as an historic icon of early feminism, Dusa, Fish, Stas and Vi was first seen at the Edinburgh Festival Fringe in 1976 under the title Dead Fish, Michael Codron transferred the play to the West End under its new title where it enjoyed a huge success and established Pam Gems as a major new voice in British theatre.

Promising young female Northern Irish writer.

We can only do this, if we go by the book. Announcing you're gay to minors is not in the book. That's in the other book. Danny's gay, a primary school teacher, and he's not afraid of anything. His colleague Jamie's straight, and thinks he should be. Hero by E. V. Crowe premiered at the Royal Court Theatre, London, in November 2012.

Published to tie-in with the premiere at the Bush Theatre in April 2006 Amelia studied Drama at Manchester University. She started out as an actress, began writing in 1995 and continues to do both. She wrote two episodes of the second series of This Life for World/BBC2.

How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you! Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds. It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: Play Playwright Casting numbers Gender splits Ability Genre description Brief Summary Exam level Workshop ideas Warnings/advice (where necessary) Suggested scenes for study Performance notes including lighting, sound, costume and space