An icon of global Punjabi culture, the dhol drum inspires an unbridled love for the instrument far beyond its application to regional vernacular music. Yet the identities of dhol players within their local communities and the broadly conceived Punjabi nation remain obscure. Gibb Schreffler draws on two decades of research to investigate dhol's place among the cultural formations within Punjabi communities. Analyzing the identities of musicians, Schreffler illuminates concepts of musical performance, looks at how these concepts help create or articulate Punjabi social structure, and explores identity construction at the intersections of ethnicity, class, and nationality in Punjab and the diaspora. As he shows, understanding the identities of dhol players is an ethical necessity that acknowledges their place in Punjabi cultural history and helps to repair their representation. An engaging and rich ethnography, Dhol reveals a beloved instrumental form and the musical and social practices of its overlooked performers.

A Comprehensive Study Dealing With Music Of North-Eastern India With Special Emphasis On Musical Instruments Of Assam. Has Over 75 Colour Illustrations Which Add To The Usefulness Of The Book.

Learn to play traditional rhythms such as Bhangra beats and Chaal within minutes of picking up your drum! Keda's revolutionary Indian Drum Notation makes it easy for students, teachers, and composers to play the Dhol and enjoy its powerful, energetic sounds. This breakthrough in music-education makes this iconic drum accessible to musicians from all backgrounds and cultures. In this Read & Play course, easy to follow modules include Practice Exercises, Solo Pieces and Traditional Punjabi Rhythms.

Punjab Sounds nuances our understanding of the region's imbrications with sound. It argues that rather than being territorially bounded, the region only emerges in ‘regioning’, i.e., in words, gestures, objects, and techniques that do the region. Regioning sound reveals the relationship between sound and the region in three interlinked ways: in doing, knowing, and feeling the region through sound. The volume covers several musical genres of the Punjab region, including within its geographical remit the Punjabi diaspora and east and west Punjab. It also provides new understandings of the role that ephemeral cultural expressions, especially music and sound, play in the formulation of Punjabi identity. Featuring contributions from scholars across North America, South Asia, Europe, and the UK, it brings together diverse perspectives. The chapters use a range of different methods, ranging from computational analysis and ethnography to close textual analysis, demonstrating some of the ways in which research on music and sound can be carried out. The chapters will be relevant for anyone working on Punjab’s music, including the Punjabi diaspora, music, and sound in the Global South. Moreover, it will be useful for undergraduate and postgraduate students in the following areas: ethnomusicology, cultural studies, film studies, music studies, South Asian studies, Punjab studies, history, and sound studies, among others.

This book elucidates the three Bihu festivals of Assamese culture comprehensively by covering all the features. The contents are presented based on authentic sources, wide range of study, extensive research and practical experiences. The book also reveals far-reaching impacts of modernization on Bihu-culture, and the crucial issues related to preservation of its enormous and magnificent intangible heritages. The process of evolution of the Bihu festivals has been delineated lengthily by citing quite a lot references. Readers will also find precise description of the agrarian festivals celebrated distinctively by 11 different ethnic groups of Assam. Furthermore, 15 magnificent agrarian festivals celebrated in different parts Asia continent are briefly presented by highlighting interesting similarities with the Bihu festivals. The book would serve as an all-inclusive resource book to know the Bihu festivals and Assamese culture thoroughly, and to accomplish any scholastic endeavor including research.

When Dhumketu's first collection of short stories, Tankha, came out in 1926, it revolutionized the genre in India. Characterized by a fine sensitivity, deep humanism, perceptive observation, and an intimate knowledge of both rural and urban life, his fiction has provided entertainment and edification to generations of Gujarati readers and speakers. Ratno Dholi brings together the first substantial collection of Dhumketu's work to be available in English. Beautifully translated for a wide new audience by Jenny Bhatt, these much-loved stories — like the finest literature — remain remarkable and relevant even today.