This study reveals the world of Sufi ritual with particular reference to two major Sufi orders. It examines the ritual and practices of these orders and surveys their organisation and hierarchy, initiation ceremonies, and aspects of their liturgy such as dhikr (litany) and sama (mystical concert). Comparisons are made with the five pillars of Islam (arkan), and the Sufi rituals, together with the arkan, are examined from the perspective of theology, phenomenology, anthropology and semiotics. The work concludes with an examination of the Sufi in the context of alienation. This is a major work which highlights the importance of Sufi ritual and locates it within the broader domain of the Islamic world.

A Culture of Sufism opens a window to a new understanding of one of the most prolific and enduring of all the Sufi brotherhoods, the Naqshbandiyya, as it spread from its birthplace in central Asia to Iran, Anatolia, Arabia, and the Balkans between the fifteenth and seventeenth centuries. Drawing on original sources and carefully aware of the power of modern paradigms to obscure, Le Gall portrays a Naqshbandiyya that was devotionally sober yet not demysticized and rigorously orthodox without being politically activist. She argues that the establishment of this brotherhood in Ottoman society was not the product of political instrumentality. Instead the Naqshbandī dissemination is best explained in reference to a series of little-appreciated organizational and cultural modes such as proclivity to long-distance travel, independence from specialized Sufi institutions, linguistic adaptability, commitment to writing and copying, and the practice of bequeathing spiritual authority to non-kin.

(Amadeus). Encompassing a history of more than 2000 years, the music of the Arabs is unique among the world's various musical cultures. This book presents an overview of Arabic music throughout history and examines the artistic output of contemporary musicians, covering secular and sacred, instrumental and vocal, improvised and composed music. Typical musical structures are elucidated, and a detailed bibliography, a discography (mainly covering the last 50 years) and a guide to the Arabic alphabet for English speakers are also provided. The paperback edition (00331635) includes a CD of seven traditional Arabic pieces performed by contemporary Arab musicians.

The Naqshbandiyya order has attracted increasing scholarly attention over the last two decades, yet so far there has been no attempt to present a comprehensive picture of the evolution of the rich organization and ideational Naqshbandiyyah tradition This book is therefore by now a highly desirable contribution that will fill this gap in the literature of this important Sufi order Spanning almost a millennium in time and most of the Muslim world in space, this book provides a comprehensive overview of the important Naqshbandiyyah Sufi order

After the Mongol period, Persian was the official written language in Iran, Central Asia and India. A vast amount of documents relating to administration and social life were produced and yet, unlike Ottoman and Arabic documents, Persian historical resources have received very little critical attention. This book is the first to use Persian Documents as the sources of social history in Early Modern Iran and Central Asia. The contributors examine four distinct elements of the documents: * the formal aspects of the sources are initially inspected * the second part focuses on newly discovered sources * the most abundant documents of the period - waqf deeds - are individually studied In this way the reader is led to realize the importance of Persian documents in gaining an understanding of past urban and rural societies in the Middle East.

This book is an ethnographic case study of Sufi ritual practice and embodied experience amongst female members of the Naqshbandi community. Drawing on fieldwork in Cape Town, South Africa, and Lefke, Cyprus (2013/2014), the author examines women’s experiences within a particular performance of Sufi tradition. The focus is on the ritual named hadra, involving the recital of sacred texts, music, and body movement, where the goal is for the individual to reach a state of intimacy with God. The volume considers Sufi practice as a form of embodied cultural behavior, religious identity, and selfhood construction. It explains how Muslim women’s participation in hadra ritual life reflects religious and cultural ideas about the body, the body’s movement, and embodied selfhood expression within the ritual experience. Sufi Women, Ritual Embodiment and the ‘Self’ engages with studies in Sufism, symbolic anthropology, ethnography, dance, and somatic studies. Contributing to discussions of religion, gender, and the body, the book will be of interest to scholars from anthropology, sociology, religious ritual studies, Sufism and gender studies, and performance studies.