This selection of vintage French botanical prints from Deyrolle showcases botany as science and art in an ode to the plant kingdom.From exotic fruit to strawberry blossoms, palm trees to conifers, and grains to aromatic herbs, this selection of exquisite drawings and engravings showcases the charm of French botanical art. Iconic vintage prints of leaf morphology, root vegetable varietals, and a map of France's fruit trees are reproduced from the archives of Deyrolle-a legendary Parisian establishment dedicated to nature, art, and education. Each print celebrates the majesty of the natural world and will add a touch of French sophistication to your home.A scientific description of each botanical specimen is accompanied by a "frameable fact" that explains the importance and specificities of that particular plant. The twenty-one high-quality reproductions can be easily detached from the book, placed into standard-size frames, and displayed in the home. Step-by-step tips for grouping the works together harmoniously add an interior designer's flair to the ensemble. Curate your own home gallery of affordable and finely reproduced art with the Frameables series of decorative prints; the frame-worthy subjects include the Animal Kingdom, Cloudscapes, Tthe Great Outdoors, and City Lights.

This handsome gift volume celebrates a world-famous temple to taxidermy and the natural world, where extraordinary curiosities highlight the intersection of science and art. With an abundance of preserved flora and fauna, taxidermy, and otherworldly creations, the Deyrolle boutique is dedicated to showcasing the beauty of nature. A family venture founded in the spirit of discovery, Deyrolle has a 185-year history that is a Pandora’s box of scientific and aesthetic discoveries. Deyrolle flourished under the nineteenth-century passion for natural history, garnering celebrity devotees from Dalí to Nabokov, and quickly established itself as a center for education and research. A vocal advocate of sustainability and responsible business practices in the fields of taxidermy and entomology, Deyrolle works only with creatures that have expired from natural causes. Raising awareness for causes such as World Rhino Day, Deyrolle combines science and art, lightheartedness and engagement. This book provides fascinating insight into the history and day-to-day workings of this unique Parisian institution.

Blooming with rare archival images, the story of scientific botanical illustrations over nearly seven hundred years. In a world flooded with images designed to create memories, validate perceptions, and influence others, botanical illustration is about something much more focused: creating technically accurate depictions of plants. Reproductions of centuries-old botanical illustrations frequently adorn greeting cards, pottery, and advertising, to promote heritage or generate income, yet their art is scientific: intended to record, display, and transmit scientific data. The Beauty of the Flower tells the backstory of these images, showing us how scientific botanical illustrations are collaborations among artists, scientists, and publishers. It explores the evolution and interchanges of these illustrations since the mid-fifteenth century, how they have been used to communicate scientific ideas about plants, and how views of botanical imagery change. Featuring unique images rarely seen outside of specialist literature, this book reveals the fascinating stories behind these remarkable illustrations.

William T. Cooper was one of the world's most esteemed bird painters. In his paintings, birds nibble at plump red berries, they rest on twisted vines and branches covered with lichen, and they clutch forest fruits and leaves in their claws. These botanical details, the backdrops to his bird portraits, are the subject of this lavishly illustrated book written by his botanist wife, Wendy Cooper. For the bird lover, Bill's lush, full-colour paintings, many from private collections, are reproduced here, alongside Wendy's notes and Bill's diary entries about bird feeding habits. Wendy describes seeing King Parrots in the wet sclerophyll forest and rainforest at their home in Bungwahl, New South Wales, feeding on the juicy black berries of the Narrow-leaved Palm Lily (Cordyline stricta). The parrots were extracting the seeds and dropping the flesh. Over the course of a decade, Bill observed activity around an Umbrella Tree in their garden: 'Watched a female coloured riflebird feeding on the flowers of a Schefflera on the driveway. I'm convinced it was taking nectar as they do on the Thunbergia in the garden. It went from open flower to open flower'. For the nature lover, Wendy has included detailed botanical descriptions of each plant and personal notes about where a particular specimen was found. She takes the reader from rainforest to dry country, from swamps and beach forest to the jungles north of Australia. We learn that Maiden's Blush trees are forest giants with wonderful high-arching plank buttresses; that Bill had to shoot down a small stem from high up in the forest canopy to capture a fruit specimen; and that the tree's scientific name, Sloanea australis, honours physician, naturalist and collector Hans Sloane, whose private collection became the founding collection of the British Museum. Alongside Wendy's description is Bill's sketch of a Maiden's Blush buttress and a finished full-colour acrylic painting of Regent Bowerbirds perched on the tree's branches. For the budding illustrator or artist, Cooper's annotated sketches, studies and paintings of plants, as well as many of his finished bird illustrations, give a unique insight into his artistic process. The Botanical Art of William T. Cooper shows the flora of Australia and beyond in all its messy, imperfect glory. Readers will gain a new appreciation of Bill's works. They will see the thick mossy branches and veiny withered leaves of a Sovereignwood tree (Terminalia sericocarpa) even before the black and red Palm Cockatoos in a double-spread oil painting; note the way a bird clutches and nibbles at a large green gumnut on a Marri tree (Corymbia calophylla) in a colour plate of two Red-capped Parrots. This is a beautiful book to dip into and treasure. For those who purchased An Eye for Nature: The Life and Art of William T. Cooper, this will make an equally valuable addition to your library.

A compact edition of Joseph Banks’ extraordinary botanical engravings of flora discovered on Captain Cook’s first voyage. Joseph Banks accompanied Captain Cook on his first voyage around the world from 1768 to 1771. A gifted and wealthy young naturalist, Banks collected exotic flora from Madeira, Brazil, Tierra del Fuego, the Society Islands, New Zealand, Australia, and Java, bringing back over 1,300 species that had never been seen or studied by Europeans. On his return, Banks commissioned over 700 engravings. Known collectively as Banks’ Florilegium, they are some of the most precise and exquisite examples of botanical illustration ever created. The Florilegium was never published in Banks’ lifetime, and it was not until 1990 that a complete set in color was issued under the direction of the British Museum. It is from these prints that the new compact edition of Joseph Banks’ Florilegium is selected, as directed by David Mabberley, who has provided expert botanical commentaries. Art historian Mel Gooding sets the works in context while an afterword by Joe Studholme describes the history of modern printing. Joseph Banks’ Florilegium is not only a great work of science, but also a major achievement in collaborative Enlightenment art and a volume of outstanding beauty.

Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is often these early attempts that give us real insight into the firsthand experiences and adventures of the botanists, artists, collectors, and explorers behind them. This exquisite visual compendium of botanical sketches by eighty artists from around the world brings these personal and vividly spontaneous records back into the light. Filled with remarkable images from the fifteenth to the twentieth centuries, sourced from the unparalleled collections of the Royal Botanic Gardens, Kew Library, Art & Archives, and other libraries, museums, and archives, Botanical Sketchbooks also provides fascinating biographical portraits of the intriguing characters featured within, including such renowned artists, scientists, and amateur botanists as Leonardo da Vinci, Georg Dionysius Ehret, Carl Linnaeus, Maria Sibylla Merian, Mark Catesby, and Helen and Margaret Shelley (sisters of the novelist Mary Shelley), among many others.

"Bibliographic references to works pertaining to the taxonomy of Coleoptera published between 1758 and 1900 in the non-periodical literature are listed. Each reference includes the full name of the author, the year or range of years of the publication, the title in full, the publisher and place of publication, the pagination with the number of plates, and the size of the work. This information is followed by the date of publication found in the work itself, the dates found from external sources, and the libraries consulted for the work. Overall, more than 990 works published by 622 primary authors are listed. For each of these authors, a biographic notice (if information was available) is given along with the references consulted"--[p. 1].