Evil is brewing in the heart of Italy?and the Devil is in the details.Ten years after cracking her last banker's grave murder case, the CIA has recruited Louise Moscow into their financial crimes division.Louise is ready to shed her cover as a Burgundy lavender farmer?and return to the spy game. All roads lead to Siena on her top-secret mission: to expose the devastating fraud behind the collapse of the world's oldest bank.Her investigation becomes a race to discover an ancient and mysterious treasure, while fighting a new enemy?The Master of the Russian Dark Arts.It's not long before Louise finds herself in the cross hairs of powerful enemies. Risking her life to shine a light on financial and political corruption, can Louise expose the rot that has taken hold of Siena? Or has she finally met her match?Filled with suspense and international espionage, spirited female sleuth Louise Moscow's next adventure is where James Bond meets Temperance Brennan.

This work offers a political and historical analysis of Newark's modern politics since 1950, culminating with Mayor Cory Booker's rise to power and prominence both in the city and in American political consciousness. Newark's recent political history offers an interesting case study in mayoral elections, community development, and coalition building politics. While Newark is the quintessential post-industrial city, Booker has received critical attention for his post-racial politics since he frequently bypasses racial and traditional urban politics. At the same time, relations between the mayor, the municipal council, and Newark's diverse communities were often so fractious that sustainable coalition building proved to be an elusive goal to resolve longstanding crime, education, and other social problems. Based on original interviews with Cory Booker, city council members, and other prominent Newark politicians, A Post Racial Change is Gonna Come is a powerful history of how Newark became the focal point for transformative politics in urban America.

Looks at the 2002 Newark mayoral race between Cory Booker and the more established black incumbent Sharpe James, which articulated how moderate black politicians are challenging civil rights veterans for power.

A provocative look at the mystery surrounding the Jersey Devil, a beast born of colonial times that haunts the corners of the Pine Barrens—and the American imagination—to this day. Legend has it that in 1735, a witch named Mother Leeds gave birth to a horrifying monster—a deformed flying horse with glowing red eyes—that flew up the chimney of her New Jersey home and disappeared into the Pine Barrens. Ever since, this nightmarish beast has haunted those woods, presaging catastrophe and frightening innocent passersby—or so the story goes. In The Secret History of the Jersey Devil, Brian Regal and Frank J. Esposito examine the genesis of this popular myth, which is one of the oldest monster legends in the United States. According to Regal and Esposito, everything you think you know about the Jersey Devil is wrong. The real story of the Jersey Devil's birth is far more interesting, complex, and important than most people—believers and skeptics alike—realize. Leaving the Pine Barrens, Regal and Esposito turn instead to the varied political and cultural roots of the Devil's creation. Fascinating and lively, this book finds the origins of New Jersey's favorite monster not in witchcraft or an unnatural liaison between woman and devil but in the bare-knuckled political fights and religious upheavals of colonial America. A product of innuendo and rumor, as well as scandal and media hype, the Jersey Devil enjoys a rich history involving land grabs, astrological predictions, mermaids and dinosaur bones, sideshows, Napoleon Bonaparte's brother, a cross-dressing royal governor, and Founding Father Benjamin Franklin.

Court Carney’s Reckoning with the Devil grapples with the troubled, complex legacy of Nathan Bedford Forrest—a slave trader, Confederate general, and prominent Klansman. More than a century after his death, Forrest’s image continues to resonate with certain groups and bear varied interpretations, reflecting the intricate interplay of history, memory, and a contested past. Carney explores how historical omissions and erasures continually reshape perceptions of Forrest as well as the Civil War. Central to Forrest’s narrative is his involvement in the slave trade, a key to his ascent in the southern social hierarchy. Carney traces Forrest’s trajectory from a prosperous slave trader in Memphis to a politician and eventual military leader in the Confederacy during the Civil War. Forrest’s postwar years reveal his struggle to rebuild his life, leading him to engage in various economic ventures and eventually join the Ku Klux Klan. Carney argues that the slave trade, the Fort Pillow massacre, and his Klan affiliation were the fundamental elements shaping Forrest’s image. Those elements, although steeped in racism and white supremacy, were marked by an ambiguity and malleability that allowed Forrest to attract admirers as well as detractors as his image was memorialized in postwar white southern culture. Carney covers distinct phases of Forrest’s memorialization, from the unveiling of statues in Memphis in 1905 to his representation in literature and media and the controversies surrounding his monuments in the 2010s. That history culminates with the removal of the Memphis statue in 2017, reflecting the evolving societal perspectives on symbols tied to racism. Forrest’s significance lies in his capacity to encompass conflicting narratives—hero and villain, rebel and patriot. Carney contends that understanding Forrest’s legacy is essential for comprehending the intricacies of the southern past and its enduring impact on American society. By exploring the fluidity of Forrest’s image, Carney’s work illuminates the nuanced interplay of history, memory, and the ongoing struggle to reckon with a tumultuous past.

The Devil has been represented in many film genres, including horror, comedy, the musical, fantasy, satire, drama, and the religious epic, and in these works has assumed many shapes and forms. This book begins with a discussion of how the devil has been portrayed on stage, how that portrayal carried over to the big screen, and what are the standard elements of a satanic plot. Each entry in the filmography includes year of production, running time, writer, editor, cinematographer, producer, and director, evaluative rating, annotated cast list, plot synopsis, overall appraisal, and a spotlight on the actor playing Satan.