Rap to Mars, a book of poetry, satire, and prose, attempts by words and art to dissect and sift through diverse aspects of the life of man in his quest to assert himself as the king or queen of the universe. This is even in spite of mans obvious lapses, frailties, and entrapment. During the course of various attempts, sometimes, success smiles on man. But when failures present themselves, arrogant and deceitful man refuses to accept his obvious limitations. Often, in his ever-willing efforts to deceive the more gullible, man in his cowardice plays the monkey that uses the cats paws to extract nuts from the fi re. From a safe distance, the minion, man, details his more gullible fellow men to sacrifi ce themselves and others in silly and assumed defense of the Almighty Maker. The martyr and suicide bomber along with their victims become the willing and unwilling by-products But even in spite of his sometimes comical shenanigans, man, who unsuccessfully plays the angel on Earth, remains man and suffers or causes others to suffer the pains arising from a perpetual struggle between the good and the bad as represented in Rap to Mars by Earths angels, suicide bombers, and whores. At the end of the day, man, mere mortal man, still fi nds himself trapped in his self-imposed cocoon of a shanty or a mansion. In the latter, man again plays the elitist parent of a lone child while the downtrodden fi nd their pleasure by doggedly obeying the injunction of increase and multiply. Rap to Mars is a mixed grill of fun, challenges, and what the evolving society was, what it is, and what it should fi ght hard not to be.

The Devil Gets Lonely Too is the debut collection of poetry by Thomas R. Langton. Containing a wide range of themes, the book offers everything from hope to despair in an exploration of the darker side of life. ‘Wrap me in darkness sweetheart Darkness is my shroud The black calls to me’ Using a colloquial style, Thomas writes a succinct collection with poems about happiness, depression and the monotony of everyday life. This work explores more serious subject matter, including bringing light to deeper issues such as anxiety and suicide. Themes range from love and lust to happiness, heartache and depression, and explore issues such as anxiety and suicide. Thomas punctuates his poetry with references to biblical and historical figures to help illustrate his writing. A dark, twisted and at times sobering read, The Devil Gets Lonely Too takes inspiration from the work of Charles Bukowski and George Orwell, and from the music of Patti Smith. Thomas’ book stems from a lifelong passion for writing and a love of gritty literature. The book will appeal to fans of poetry, especially those that enjoy mature and honest literature.

RENAISSANCE DRAMA Experience the best and most noteworthy works of Renaissance drama This Third Edition of Renaissance Drama: An Anthology of Plays and Entertainments is the latest installment of a groundbreaking collection of non-Shakespearean Renaissance drama. Covering not only the popular drama of the period, Renaissance Drama includes masques, Lord Mayor shows, royal performances, and the popular mystery plays of the time. The selections fairly represent the variety and quality of Renaissance drama and they include works of scholarly and literary interest. Each work included in this edition comes with an insightful and illuminating introduction that places the piece in its historical and cultural context, with accompanying text explaining the significance of each piece and the ways in which it interacts with other works. New to this edition are: The famous entertainment for Elizabeth at Kenilworth George Peele’s remarkably inventive The Old Wives’ Tale The oft-forgotten history of Thomas of Woodstock, predecessor to Shakespeare’s Richard II John Lyly’s Gallathea, a work which explores gender and love, written for the Children’s Company at Saint Paul’s Ben Johnson’s Volpone and the controversial Epicoene Perfect for scholars, teachers, and readers of the English Renaissance, Renaissance Drama: An Anthology of Plays and Entertainments belongs on the bookshelves of anyone with even a passing interest in the drama of its time.

In this book, Elder William D. Holmes talks about the importance of having faith in God. It is necessary to live a life to please God in true holiness and righteousness. He uses real-life testimonies and experiences of sanctified, Holy Ghost-filled believers he grew up with in the HolinessPentecostal Church. It is through these powerful, real-life testimonies and his own life experiences that cause him to speak with boldness that Jesus truly is a healer, miracle worker, and savior. He also uses Bible accounts of the miracle-working power of God through our lord and savior, Jesus Christ. He explains about the different tactics of Satan and how he will try to hinder a person from getting their deliverance from God, how we can defeat Satan and get our blessing, why it takes so long for God to answer prayers, the difference between healing being made whole, and what divine healing is and how God can work with medical profession to bring about healing. He talks about the different levels of the Spirit a believer can climb in God. This book gives a clear statement that, without holiness, no person shall see the Lord. Jesus came into the world, not only to forgive us of our sins, but to take sin out of us. Jesus also comes to deliver us from all sickness and disease. Through the stripes of Jesus, we can be healed. Take the limit off of God! This is a very powerful book to increase the faith of a believer to trust God through his only begotten son, Jesus Christ, to meet your every need.

The Devil was a commanding figure in Tudor and Stuart England. He played a leading role in the religious and political conflicts of the age, and inspired great works of poetry and drama. During the turmoil of the English Civil War, fears of a secret conspiracy of Devil-worshippers fuelled a witch-hunt that claimed at least a hundred lives. This book traces the idea of the Devel from the English Reformation to the scientific revolution of the late seventeenth century. It shows that he was not only a central figure in the imaginative life of the age, but also a deeply ambiguous and complex one: the avowed enemy of God and his unwilling accomplice, and a creature that provoked fascination, comdey and dread.