This volume explores the representation of female deviance from literary, sociolinguistic and historical-cultural perspectives in a wide range of texts across time, cultures and genres. In this way, it elucidates a contemporary cultural concern about narratives of femininity as well as diverse sites of negotiations of female resistance.

"Despite critical interest in the role of women in the French Revolution, there is no single, comprehensive study of the works of the two most prolific women writers of the period: Olympe de Gouges and Manon Roland. At a time when politicians were molding public policy concerning life, liberty, the pursuit of happiness, and constituting criteria for citizenship, increasing numbers of women in Paris were clamoring for rights. New medical and philosophical theories redefining female nature were trotted out to justify women's continued exclusion from full political participation. Such theories focused on the female body as the locus of women's intellectual inadequacies and promulgated the idea that women who acted outside of the confines of their physiological nature were considered desensitized and unfeminine. "Deviant Women of the French Revolution and the Rise of Feminism" aims to uncover the work of those women who challenged prevailing views of female nature, sought social reforms, and were deemed 'deviant' for their writing and/or activism during the French Revolution."--Jacket.

After seizing power in 1917, the Bolsheviks initiated reforms aimed at abolishing the old way of life in Russia. A new Family Code liberalized marriage procedures, promoted communal living arrangements, and abolished the concept of illegitimacy. Other decrees legalized abortion, deregulated prostitution, and emancipated women. The Bolsheviks' Marxist ideology that guided these reforms was also behind the assertion that crime, an artifact of bourgeois capitalist exploitation, would disappear under socialism. As crime persisted, Soviet criminologists--a cohort of jurists, doctors, sociologists, anthropologists, psychiatrists, statisticians, and forensic experts--were charged with examining its causes and motives to determine the most effective methods to eliminate it. The problem of female crime occupied a prominent position in criminologists' studies. In explaining "traditional" female crimes of the domestic sphere--infanticide, spouse murder, and petty theft, among others--criminologists pointed to the offenders' backwardness and ignorance, material circumstances, and even biology. Kowalsky examines the position of women in early Soviet society through the lens of deviance, exploring how Soviet criminologists understood female crime and how their attitudes helped shape the development of Soviet social and behavioral norms. Deviant Women looks at the emergence of criminology in early Soviet Russia, tracing the development of principles and theories--particularly that of female deviance--and highlighting the ways in which criminologists were able to conduct innovative social science research under the constraints of Bolshevik ideology. Kowalsky then focuses on the analyses of female crime and criminologists' attitudes concerning sexuality, geography, and class. Concluding with a close study of infanticide, the most "typical" crime committed by women, Kowalsky discusses the social attitudes that were revealed in the professional discussion of this crime. Historians of modern Russia and the USSR, scholars of gender studies, and those studying criminology will be fascinated by this original study.

Introducing a radical approach to wellness: This self-help guide rejects ‘one-size-fits-all’ dieting and health advice to offer practical strategies and tools for getting healthy—your way. What kind of society makes being healthy and happy so difficult that only a single-digit percentage of the population can hope to pull it off? The answer: A sick society. And within a sick society—one where illness, anxiety, and depression are the prevailing norms—what does it mean to be one of the few people to beat those unhealthy odds? It means bucking a lot of your society’s norms and rejecting a lot of its conventional health prescriptions. It also means acknowledging a disturbing truth: If you aren’t breaking the rules, you’re probably breaking yourself. That’s the simple, provocative philosophy behind The Healthy Deviant, one seasoned health journalist’s quest to reframe healthy choices as a positive form of social rebellion. Combining hand-drawn infographics and statistics with insights from sociology, psychology, evolutionary biology, functional medicine, and the school of hard knocks, this category-defying book rejects the idea that diet and exercise alone can save us—or are even the best places to start. Gerasimo’s 14-day Healthy-Deviant Adventure Program presents a series of powerful perspective shifts and simple daily practices—plus illustrations, infographics, worksheets, reminders, and progress tracking tools—that put you firmly back in charge of your own wellbeing. Part manifesto, part whispered wake-up call, The Healthy Deviant is a modern-day survival guide for being a healthy person in an unhealthy world. Starting now.

In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness—even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them. Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture.