Detroit's Corktown celebrates the history of Detroit's oldest neighborhood. From Irish immigrants in the 1840s to urban pioneers of the 21st century, this community has beckoned to the restless of spirit, the adventurous, and those who have sought to escape poverty and oppression to make a new life in America. While the city of Detroit has undergone tremendous change over the years, Corktown has never forgotten the solid working-class roots established by brave pioneers in the mid-19th century. Many of their shotgun homes are still occupied, and many commercial buildings have served the community for decades. Today the neighborhood is the scene of increasing residential and commercial development and has attracted attention throughout the region. No longer exclusively Irish, the community has also been important historically to the large German, Maltese, and Mexican populations of Detroit. Today it is a diverse and proud community of African Americans, Hispanics, working-class people of various national origins, and a growing population of young urban pioneers. It is still the sentimental heart of the Irish American community of metropolitan Detroit, and the Irish Plaza on Sixth Street honors the city's Irish pioneers and their 600,000 descendents living in the region.

Detroit's Corktown documents and celebrates the history of Detroit's oldest neighborhood, detailing its history of diversity. Detroit's Corktown celebrates the history of Detroit's oldest neighborhood. Many of their shotgun homes are still occupied, and many commercial buildings have served the community for decades. From Irish immigrants in the 1840s to urban pioneers of the 21st century, this community has beckoned to the restless of spirit, the adventurous, and those who have sought to escape poverty and oppression to make a new life in America. While the city of Detroit has undergone tremendous change over the years, Corktown has never forgotten the solid working-class roots established by brave pioneers in the mid-19th century. Today the neighborhood is the scene of increasing residential and commercial development and has attracted attention throughout the region. No longer exclusively Irish, the community has also been important historically to the large German, Maltese, and Mexican populations of Detroit. Today it is a diverse and proud community of African Americans, Hispanics, working-class people of various national origins, and a growing population of young urban pioneers. It is still the sentimental heart of the Irish American community of metropolitan Detroit, and the Irish Plaza on Sixth Street honors the city's Irish pioneers and their 600,000 descendents living in the region.

In Detroit's Historic Places of Worship, authors Marla O. Collum, Barbara E. Krueger, and Dorothy Kostuch profile 37 architecturally and historically significant houses of worship that represent 8 denominations and nearly 150 years of history. The authors focus on Detroit's most prolific era of church building, the 1850s to the 1930s, in chapters that are arranged chronologically. Entries begin with each building's founding congregation and trace developments and changes to the present day. Full-color photos by Dirk Bakker bring the interiors and exteriors of these amazing buildings to life, as the authors provide thorough architectural descriptions, pointing out notable carvings, sculptures, stained glass, and other decorative and structural features. Nearly twenty years in the making, this volume includes many of Detroit's most well known churches, like Sainte Anne in Corktown, the Cathedral of the Most Blessed Sacrament in Boston-Edison, Saint Florian in Hamtramck, Mariners' Church on the riverfront, Saint Mary's in Greektown, and Central United Methodist Church downtown. But the authors also provide glimpses into stunning buildings that are less easily accessible or whose uses have changed-such as the original Temple Beth-El (now the Bonstelle Theater), First Presbyterian Church (now Ecumenical Theological Seminary), and Saint Albertus (now maintained by the Polish American Historical Site Association)-or whose future is uncertain, like Woodward Avenue Presbyterian Church (most recently Abyssinian Interdenominational Center, now closed). Appendices contain information on hundreds of architects, artisans, and crafts-people involved in the construction of the churches, and a map pinpoints their locations around the city of Detroit. Anyone interested in Detroit's architecture or religious history will be delighted by Detroit's Historic Places of Worship.

Suggests ways for Detroit to become a smaller but better city in the twenty first century and proposes productive uses for the city's vacant spaces.

A vividly illustrated collaboration between two of Chicago’s most celebrated architecture critics casts a wise and unsparing eye on inequities in the built environment and attempts to rectify them. From his high-profile battles with Donald Trump to his insightful celebrations of Frank Lloyd Wright and front-page takedowns of Chicago mega-projects like Lincoln Yards, Pulitzer Prize–winning architecture critic Blair Kamin has long informed and delighted readers with his illuminating commentary. Kamin’s newest collection, Who Is the City For?, does more than gather fifty-five of his most notable Chicago Tribune columns from the past decade: it pairs his words with striking new images by photographer and architecture critic Lee Bey, Kamin’s former rival at the Chicago Sun-Times. Together, they paint a revealing portrait of Chicago that reaches beyond its glamorous downtown and dramatic buildings by renowned architects like Jeanne Gang to its culturally diverse neighborhoods, including modest structures associated with storied figures from the city’s Black history, such as Emmett Till. At the book’s heart is its expansive approach to a central concept in contemporary political and architectural discourse: equity. Kamin argues for a broad understanding of the term, one that prioritizes both the shared spaces of the public realm and the urgent need to rebuild Black and brown neighborhoods devastated by decades of discrimination and disinvestment. “At best,” he writes in the book’s introduction, “the public realm can serve as an equalizing force, a democratizing force. It can spread life’s pleasures and confer dignity, irrespective of a person’s race, income, creed, or gender. In doing so, the public realm can promote the social contract — the notion that we are more than our individual selves, that our common humanity is made manifest in common ground.” Yet the reality in Chicago, as Who Is the City For? powerfully demonstrates, often falls painfully short of that ideal.

There is hope for us yet: “Stevenson’s engaging commentary has the ability to restore your faith in human ingenuity in the face of adversity.” —Geographical magazine Our systems are failing. Old models—for education, healthcare and government, food production, energy supply—are creaking under the weight of modern challenges. As the world’s population heads towards 10 billion, it’s clear we need new approaches. In We Do Things Differently, historian and futurologist Mark Stevenson sets out to find them, across four continents. From Brazilian favelas to high-tech Boston, from rural India to a shed inventor in England’s home counties, Mark Stevenson travels the world to find the advance guard reimagining our future. At each stop, he meets innovators who have already succeeded in challenging the status quo, pioneering new ways to make our world more sustainable, equitable, and humane. Populated by extraordinary characters—including Detroit citizens who created new jobs and promoted healthy eating by building greenhouses; an Austrian mayor who built a new biomass plant using the by-product of a local flooring company; and an Indian doctor who crowdsourced his research and published his findings online—We Do Things Differently paints a riveting picture of what can be done to address the world’s most pressing dilemmas, offering a much-needed dose of down-to-earth optimism. It is a window on (and a roadmap to) a different and better future. “Stevenson writes with enormous warmth and humor.” —Cory Doctorow

Uses vintage images of buildings, villages, and towns in order to present a pictorial tour of the interstate highway's path in Michigan during the late-nineteenth and twentieth centuries.