Detroit's Cold War locates the roots of American conservatism in a city that was a nexus of labor and industry in postwar America. Drawing on meticulous archival research focusing on Detroit, Colleen Doody shows how conflict over business values and opposition to labor, anticommunism, racial animosity, and religion led to the development of a conservative ethos in the aftermath of World War II. Using Detroit--with its large population of African-American and Catholic immigrant workers, strong union presence, and starkly segregated urban landscape--as a case study, Doody articulates a nuanced understanding of anticommunism during the Red Scare. Looking beyond national politics, she focuses on key debates occurring at the local level among a wide variety of common citizens. In examining this city's social and political fabric, Doody illustrates that domestic anticommunism was a cohesive, multifaceted ideology that arose less from Soviet ideological incursion than from tensions within the American public.

Winner, Jane Addams Children's Book Award A young girl navigates family and middle school dramas amid the prejudices and paranoia of the Cold War era in this “excellent example of historical fiction for middle grade readers” (School Library Journal) World War II is over, but the threat of communism and the Cold War loom over the United States. In Detroit, Michigan, twelve-year-old Marjorie Campbell struggles with the ups and downs of family life, dealing with her veteran father’s unpredictable outbursts, keeping her mother’s stash of banned library books a secret, and getting along with her new older “brother”—the teenager her family took in after his veteran father’s death. When a new girl from Germany transfers to Marjorie’s class, Marjorie finds herself torn between befriending Inga and pleasing her best friend, Bernadette, by writing in a slam book that spreads rumors about Inga. Marjorie seems to be confronting enemies everywhere—at school, at the library, in her neighborhood, and even in the news. In all this turmoil, Marjorie tries to find her own voice and figure out what is right and who the real enemies actually are. Includes an author’s note and bibliography.

How the Cold War affected local-level union politics

Christopher Johnson chronicles the life of Maurice Sugar, from his roots in Michigan's Upper Peninsula, through his resistance with Eugene V Debs to World War I, and on to the struggles of the early 1930s to bring the union message to Detroit. It was Maurice Sugar, labor activist and lawyer for the United Auto Workers, who played a key role in guiding the newly-formed union through the treacherous legal terrain obstructing its development in the 1930s. He orchestrated the injunction hearings on the Dodge Main strike and defended the legality of the sit-down tactic. As the UAW's General Council, he wrote the union's constitution in 1939, a model of democratic thinking. Sugar worked with George Addes, UAW Secretary-Treasurer, to nurture rank-and-file power. A founder of the National Lawyers' Guild, Sugar also served as a member of Detroit's Common Council at the head of a UAW "labor" ticket. By 1947, Sugar was embroiled in a struggle within the UAW that he feared would destroy the open structures he had helped to build. He found himself in opposition to Walter Reuther's bid to run the union. A long-time socialist, Sugar fell victim to mounting Cold War hysteria. When Reuther assumed control of the UAW, Sugar was summarily dismissed. Christopher Johnson chronicles the life of Maurice Sugar, from his roots in Michigan's Upper Peninsula, through his resistance with Eugene V. Debs to World War I, and on to the struggles of the early 1930s to bring the union message to Detroit. Firmly grounded on the historiography of the UAW, Johnson shows the importance of Sugar and the Left in laying the foundation for unionizing the auto industry in the pre-UAW days. He documents the work of the Left in building a Black-labor coalition in Detroit, the importance of anti-Communism in Reuther's rise to power, and the diminution of union democracy in the UAW brought about by the Cold War. Maurice Sugar represents a force in American life that bears recalling in these barren years of plant closings.

Detroit in the 1960s was a city with a pulse: people were marching in step with Martin Luther King, Jr., dancing in the street with Martha and the Vandellas, and facing off with city police. Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA. As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign. Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.

Dreaming Suburbia is a cultural and historical interpretation of the political economy of postwar American suburbanization.

The early decades of the twentieth century sparked the Detroit-Windsor region's ascendancy as the busiest crossing point between Canada and the United States, setting the stage for socioeconomic developments that would link the border cities for years to come. As Holly M. Karibo shows, this border fostered the emergence of illegal industries alongside legal trade, rapid industrial development, and tourism. Tracing the growth of the two cities' cross-border prostitution and heroin markets in the late 1940s and the 1950s, Sin City North explores the social, legal, and national boundaries that emerged there and their ramifications. In bars, brothels, and dance halls, Canadians and Americans were united in their desire to cross racial, sexual, and legal lines in the border cities. Yet the increasing visibility of illicit economies on city streets—and the growing number of African American and French Canadian women working in illegal trades—provoked the ire of moral reformers who mobilized to eliminate them from their communities. This valuable study demonstrates that struggles over the meaning of vice evolved beyond definitions of legality; they were also crucial avenues for residents attempting to define productive citizenship and community in this postwar urban borderland.