Detroit Fairy Tales is a work of autobiographical fiction-or "speculative memoir"-that explores the lives of one struggling family with deep roots in their one-of-a-kind city. In the spirit of Bastard out of Carolina and The Glass Castle, Detroit Fairy Tales is part a coming of age story and part an exploration of how trauma can reverberate through four generations. Hopeful, yet raw and unflinching, thirty-six vignettes tie together like a work of jazz to create a single, one of a kind work. Along the way, Detroit Fairy Tales challenges assumptions while it peals back the layers of love, trauma, hope, and resignation that is at the root of this not unusual American family. Elisa and her five sisters are born and raised in the wealthy University District of Detroit where she longs to not stick out as a poor white kid. She is born with a "hole in her chest," a rare medical condition. That is but the first of a lifetime of struggles, as Elisa and her sisters must navigate a family clouded by life-defining tragedies that echo though the generations. The six girls make their own ways through a labyrinth of race, class, gender, mental illness, and sexual and domestic violence, each finding their escape, some with more success than others. Like everyone, Elisa does what she can, making the best choices she knows how to. And in the end, she must find her own peace and end the cycle of family secrets.Detroit Fairy Tales is a stunning story-never sensational, always honest and unexpected.

Scholars from many different academic areas will use this volume to explore and implement new aspects of the field of fairy-tale studies in their teaching and research.

Mother Goose Refigured presents annotated translations of Charles Perrault’s 1697 fairy tales that attend to the irony and ambiguity in the original French and provide a fresh take on heroines and heroes that have become household names in North America. Charles Perrault published Histoires ou Contes du temps passé ("Stories or Tales of the Past") in France in 1697 during what scholars call the first "vogue" of tales produced by learned French writers. The genre that we now know so well was new and an uncommon kind of literature in the epic world of Louis XIV's court. This inaugural collection of French fairy tales features characters like Sleeping Beauty, Cinderella, and Puss in Boots that over the course of the eighteenth century became icons of social history in France and abroad. Translating the original Histoires ou Contes means grappling not only with the strangeness of seventeenth-century French but also with the ubiquity and familiarity of plots and heroines in their famous English personae. From its very first translation in 1729, Histoires ou Contes has depended heavily on its English translations for the genesis of character names and enduring recognition. This dependability makes new, innovative translation challenging. For example, can Perrault's invented name "Cendrillon" be retranslated into anything other than "Cinderella"? And what would happen to our understanding of the tale if it were? Is it possible to sidestep the Anglophone tradition and view the seventeenth-century French anew? Why not leave Cinderella alone, as she is deeply ingrained in cultural lore and beloved the way she is? Such questions inspired the translations of these tales in Mother Goose Refigured, which aim to generate new critical interest in heroines and heroes that seem frozen in time. The book offers introductory essays on the history of interpretation and translation, before retranslating each of the Histoires ou Conteswith the aim to prove that if Perrault's is a classical frame of reference, these tales nonetheless exhibit strikingly modern strategies. Designed for scholars, their classrooms, and other adult readers of fairy tales, Mother Goose Refigured promises to inspire new academic interpretations of the Mother Goose tales, particularly among readers who do not have access to the original French and have relied for their critical inquiries on traditional renderings of the tales.

Scholars of fairy-tale studies will enjoy Bacchilega's significant new study of contemporary adaptations.

Examines how popular fairy tales collapse narrative borders and reimagine the genre for the twenty-first century. Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales by Christy Williams uses the metaphor of mapping to examine the narrative strategies employed in popular twenty-first-century fairy tales. It analyzes the television shows Once Upon a Time and Secret Garden (a Korean drama), the young-adult novel series The Lunar Chronicles, the Indexing serial novels, and three experimental short works of fiction by Kelly Link. Some of these texts reconfigure well-known fairy tales by combining individual tales into a single storyworld; others self-referentially turn to fairy tales for guidance. These contemporary tales have at their center a crisis about the relevance and sustainability of fairy tales, and Williams argues that they both engage the fairy tale as a relevant genre and remake it to create a new kind of fairy tale. Mapping Fairy-Tale Space is divided into two parts. Part 1 analyzes fairy-tale texts that collapse multiple distinct fairy tales so they inhabit the same storyworld, transforming the fairy-tale genre into a fictional geography of borderless tales. Williams examines the complex narrative restructuring enabled by this form of mash-up and expands postmodern arguments to suggest that fairy-tale pastiche is a critical mode of retelling that celebrates the fairy-tale genre while it critiques outdated ideological constructs. Part 2 analyzes the metaphoric use of fairy tales as maps, or guides, for lived experience. In these texts, characters use fairy tales both to navigate and to circumvent their own situations, but the tales are ineffectual maps until the characters chart different paths and endings for themselves or reject the tales as maps altogether. Williams focuses on how inventive narrative and visual storytelling techniques enable metafictional commentary on fairy tales in the texts themselves. Mapping Fairy-Tale Space argues that in remaking the fairy-tale genre, these texts do not so much chart unexplored territory as they approach existing fairy-tale space from new directions, remapping the genre as our collective use of fairy tales changes. Students and scholars of fairy-tale and media studies will welcome this fresh approach.

Scholars of cultural studies, fairy-tale studies, folklore, and television studies will enjoy this first-of-its-kind volume.

The Detroit Tigers were founding members of the American League and have been the Motor City's team for more than a century. But the Wolverines were the city's first major league club, playing in the National League beginning in 1881 and capturing the pennant in 1887. Playing in what was then one of the best ballparks in America, during an era when Detroit was known as the "Paris of the West," the team battled hostile National League owners and struggled with a fickle fan base to become world champions, before financial woes led to their being disbanded in 1888. This first-ever history of the Wolverines covers the team's rise and abrupt fall and the powerful men behind it.