This comprehensive reference provides a history of Tiffany the man and of the wonderful desk sets preduced by Tiffany Studios and Tiffany Furnaces; describes each pattern; illustrates representative examples; and lists the hundreds of known pieces with model numbers and current price ranges. 80 colour illustrations

"Includes over 200 colors plates, windows, paintings, lamps, vases, and other works"--Cover.

Laurelton Hall, Louis Comfort Tiffany's (American, 1848-1933) extraordinary country estate in Oyster Bay, New York, completed in 1905, was the epitome of Tiffany's achievement and in many ways defined this multifaceted artist. Tiffany designed every aspect of the project inside and out, creating a total aesthetic environment. This publication accompanies an exhibition that reveals Tiffany's most personal art, bringing into focus this remarkable artist who lavished as much care and creativity on the design and furnishing of his home and gardens as he did on all the wide-ranging media in which he worked. Although the house tragically burned to the ground in 1957, many of its surviving architectural elements and interior characteristics are included in this volume. Also featured are Tiffany's personal collections of his own work-breathtaking stained-glass windows, paintings, glass and ceramic vases-as well as the artist's collections of Japanese, Chinese, and Native American works of art. -- Metropolitan Museum of Art website.

Louis Comfort Tiffany is one of the most important artistic figures of the late-nineteenth and early-twentieth centuries. The key player and protagonist of the Art Nouveau and Aesthetic movements in America, and a considerable influence in Europe, he was an artist, designer, craftsman and businessman who wanted to bring art to the people. It is for his rich and vibrant stained glass windows and lamps that Tiffany is best rembered and still loved today.

A seminal artist of the Gilded Age, Louis Comfort Tiffany is the best known and most widely collected figure in late nineteenth- and early twentieth-century American decorative arts. The splendid objects from the Driehaus Collection, installed as the inaugural exhibition of the Richard H. Driehaus Museum, showcase a wide variety of Tiffany’s work in an architectural setting of the period. Newly commissioned photographs by John Faier highlight the subtle detail and rich coloring of each object, revealing why Tiffany is so revered as a designer. Essays by Richard H. Driehaus and David A. Hanks explore the collector’s vision and Tiffany Studios’s largely unknown legacy in Chicago. Vividly colored, enriched with ornament, and boldly scaled, the book provides an intimate look into the artistry and craftsmanship of Tiffany, and is a unique opportunity for collectors and enthusiasts alike to experience the objects as never before seen.