Centering on studies of alienation in varieties of institutional milieus as well as on current theoretical debates, this volume explains how social institutions concretely frame and foster alienation, legitimizing the creation of others, who are disempowered, manipulated and marginalized. Among the writers are researchers from all around the globe. Thus, the book presents a panoramic view of how alienation is brought about in different cultures, including the cultures which are generated by computers.

Drawn in hazy gray pencil and printed in blue pantone ink, this book is about Elizabeth, an exotic dancer in cyberspace, and Carlos, who was just fired from the last human-staffed oil rig, attempting to keep their romance alive. When they realize that their bodies are full of artificial organs and they live almost entirely online, they begin to question what being human actually means. Do our ancestral, or even animal, instincts eventually kick in, or are we transcending the limits of our bodies? When an unplanned pregnancy is caused by an AI hack, Elizabeth must decide if the child is the next step in evolution ― or a glitch that will wipe out humanity once and for all.

Centering on studies of alienation in varieties of institutional milieus as well as on current theoretical debates, this volume explains how social institutions concretely frame and foster alienation, legitimizing the creation of others, who are disempowered, manipulated and marginalized. Among the writers are researchers from all around the globe. Thus, the book presents a panoramic view of how alienation is brought about in different cultures, including the cultures which are generated by computers.

A complete and original theory of aesthetics based on Marx and Althusser in the modernist Marxist anti-humanist tradition (Brecht, Althusser, Benjamin, Adorno). The main concepts that arise from this work are: the aesthetic level of practice, aesthetic state apparatuses, aesthetic interpellation, and pseudo dialectics, all of which are used to understand the role of aesthetic experience and its place in everyday life. - In the space long thought as necessary to fill spanning the gap between Marx and Freud, the author proposes that aesthetics can be located and defined in a concrete way. We are therefore looking at a domain involving and implicating feelings, affections, dispositions, sensibilities and sensuality, as well as their social role in art, tradition, ritual, and taboo. With the classic Marxist concepts of base and superstructure divided into levels, economic, ideological, and political, the aesthetic level of practice is the area that has traditionally been mostly either missing or mislocated and, especially perhaps, misrepresented for political reasons. The importance of this level is that it fuels and supports the media, or as Althusser described it the 'traffic' (or mediation) between base and superstructure, although for Althusser this was ideological traffic. Here, this is also defined as aesthetic. From this vantage point, we begin to be able to see aesthetic state apparatuses, analyse how they function, both in the past, historically (for example firstly in art history), and today, in the contemporary political context, to grasp the role that art and feelings, along with affective alienation, plays in our culture as a complete and, in fact, cyclical reciprocating system. ,

Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability

Illustrates how Marcuse's theory sheds new light on current debates in both education and society involving issues of multiculturalism, postmodernism, civic education, the "culture wars," critical thinking, and critical literacy.