In Design Outlaws, Christopher Zelov, Phil Cousineau and Brian Danitz have gathered together the interviews of over twenty of the leading designers and architects from their award winning documentary film: Ecological Design: Inventing the Future. This far reaching collection is lavishly illustrated and will inspire both the professional and the general reader alike.

Debates about environmentally sensitive architecture have been ongoing for nearly a century. From Bauhaus to Eco-House examines key moments of inspiration and exchange between designers and ecologists from the Bauhaus projects of the interwar period to the eco-arks of the late 1980s. From Bauhaus to Eco-House provides new insight into a critical period in the evolution of environmental awareness and design.

It has taken a very long time for sustainable development to be recognised as a justified restraint on inappropriate development and a primary driver of improving quality of life for all. For designers, clients and project managers this means we have to create healthy buildings and places which support communities, enhance biodiversity and contribute to reversing unsustainable trends in pollution and resource consumption. It is a very positive agenda. This groundbreaking book will help all building design, management and cost professionals to understand sustainable design and provide the technical skills needed to implement the most up-to-date concepts. Based on a hugely successful series of workshops for professionals in construction, the book covers the history of ideas, materials, measurement - both cost and benchmarking performance - environmental services, and the building design and delivery process through to post-occupancy evaluation. It covers individual buildings and the urban scale. Sustainable Construction is a master-class in how to achieve practical, affordable, replicable, sustainable design. It has something new and often surprising in it for everybody in the construction industry. For the Architect and Engineer it gives chapter and verse to the basic design issues at all scales and through the whole of the plan of work For Quantity Surveyors and cost professionals it challenges current conventions with researched case study evidence" For clients and project managers it outlines the drivers and the justification for a sustainable approach and outlines the legislative framework; and it gives guidance on procurement and project and site management issues For contractors and developers it contains a wealth of case study material, rooted in practical experience and economic reality. For teachers and students it will bust myths, liberate thinking and inform design

The Culture of Nature in the History of Design confronts the dilemma caused by design’s pertinent yet precarious position in environmental discourse through interdisciplinary conversations about the design of nature and the nature of design. Demonstrating that the deep entanglements of design and nature have a deeper and broader history than contemporary discourse on sustainable design and ecological design might imply, this book presents case studies ranging from the eighteenth to the twenty-first century and from Singapore to Mexico. It gathers scholarship on a broad range of fields/practices, from urban planning, landscape architecture, and architecture, to engineering design, industrial design, furniture design and graphic design. From adobe architecture to the atomic bomb, from the bonsai tree to Biosphere 2, from pesticides to photovoltaics, from rust to recycling – the culture of nature permeates the history of design. As an activity and a profession always operating in the borderlands between human and non-human environments, design has always been part of the environmental problem, whilst also being an indispensable part of the solution. The book ventures into domains as diverse as design theory, research, pedagogy, politics, activism, organizations, exhibitions, and fiction and trade literature to explore how design is constantly making and unmaking the environment and, conversely, how the environment is both making and unmaking design. This book will be of great interest to a range of scholarly fields, from design education and design history to environmental policy and environmental history.

There is little appreciation for what happens to graphic design artifacts after their useful life has ended. Sustainable Graphic Design outlines graphic design's relationship to production and consumption, demonstrating how designers can contribute solution-oriented responses to consumption, through tools and methodologies applicable to both education and practice. The book provides an overview of sustainable graphic design, based on global engagement with design's relationship to consumption, and features highly creative work inspired by complex issues and including studies of a variety of visual artifacts, the larger built environment and the very ordinary products of consumption. Presenting cutting-edge work in graphic design from practitioners, educators and students from North America, Northern Europe, Australia and the Far East, the book helps students visualize their future roles engaging with the field in response to ecological concerns, social justice and present systems of design by using extensive case studies of student work with step-by step instructions adapted for use by instructors.

Less expensive and more environmentally appropriate than conventional engineering approaches, constructed ecosystems are a promising technology for environmental problem solving. Undergraduates, graduate students, and working professionals need an introductory text that details the biology and ecology of this rapidly developing discipline, known as

Practically every major artistic figure of the mid-twentieth century spent some time at Black Mountain College: Harry Callahan, Merce Cunningham, Walter Gropius, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Aaron Siskind, Cy Twombly - the list goes on and on. Yet scholars have tended to view these artists' time at the college as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Diaz reveals the influence of Black Mountain College - and especially of three key instructors, Josef Albers, John Cage, and R. Buckminster Fuller - to be much greater than that. Diaz's focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. The resulting projects not only reconfigured the relationships among chance, order, and design - they helped redefine what artistic practice was, and could be, for future generations. Offering a bold, compelling new angle on some of the most widely studied creative minds of the twentieth century, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century.