It's time to stop taking graphic design so seriously! All-natural, free-range and gluten-free, Design Funny: A Graphic Designer's Guide to Humor is an entertaining yet practical guide to the lighter side of the design profession. Inside you'll find inspiration, advice and visual gags from comedy juggernauts The Onion, Comedy Central, Funny Or Die, MAD magazine, JibJab, Cheezburger, as well as dozens of top creative agencies, talented freelance designers and professional comedians. But wait, there's more! You'll also get... 300 witty images 175 contributing designers 42 ways to design funny 10 quizzes to reveal your sense of humor 6 serious reasons to pitch funny 0 bullshit* Discover how you can use 42 principles of comedy to transform your visual communication from ho-hum to ha-ha. Find out what your client or boss needs to hear in order to buy into your funny ideas. Learn astonishing facts about design and humor theory from science, psychology and history. Did you know the first dirty cartoon appeared over 50,000 years ago? Whether you're an aspiring designer, design expert or just like funny pictures, you'll get a kick out of seeing the method behind the madness of designing funny.

". . . no one has ever written about graphic design in quite this way. The title sounds more like a short story, and at times I found myself reading it as though it were a fictional exploration of a designer's consciousness. When I did, itsenergy, relentlessness, emotion, and abundance of detail made sense, as did its literary style. Barringer writes entertainingly and has a gift for intricate metaphor. . .Designers who enjoy ambitious writing will find plenty toadmire . . ." From Rick Poynor's I.D. Magazine review of "American Mutt Barks in the Yard" (Emigre; 68) By winning the 2008 Winterhouse Award for Design Writing, David Barringer firmly established himself as the freshest and most interesting writer on the subject. His articles, which have appeared in publications from Print to Emigre, are notable for his strong personal point of view, literary style, and even humor, not always attributes associated with writing about design. In this collection of essays, Barringer's first, he wonders why drug names have so many X's in them, ponders the rise of gory DVD covers, and ruminates on his father's business card collection, pythons, and the human skullproving again and again that design is everywhere you look for it, (but may not have seen) without the powerful magnifying lens of this talented and exciting observer and writer.

Written and assembled by three leading critics and curators, Donald Albrecht, Ellen Lupton, and Steven Skov Holt, the book explores the design artifacts and practices that will define the twenty-first century."--BOOK JACKET.

New York Times best seller Ever since Gabrielle Stanley Blair became a parent, she’s believed that a thoughtfully designed home is one of the greatest gifts we can give our families, and that the objects and decor we choose to surround ourselves with tell our family’s story. In this, her first book, Blair offers a room-by-room guide to keeping things sane, organized, creative, and stylish. She provides advice on getting the most out of even the smallest spaces; simple fixes that make it easy for little ones to help out around the house; ingenious storage solutions for the never-ending stream of kid stuff; rainy-day DIY projects; and much, much more.

Over 500 giggles, groans, and belly laughs! Kids can’t resist sharing jokes (even you try to stop them), so they always need a fresh supply. We’ve stuffed the pages of this little joke book with the funniest jokes we could find. Old favorites, new favorites, and a few festering stinkers, all guaranteed to make kids laugh out loud. You’ll find Q&A jokes, knock-knock jokes, riddles, and one-liners. And, of course, we’ve included entire chapters of those all-time kid-pleasers: elephant jokes, pirate jokes, and space jokes. Here’s a sampling: What's black and white, black and white, black and white? A penguin rolling down a hill. Why don’t zombies eat clowns? They taste funny. Why did the hen scold her chicks? They were using fowl language. What kind of books do skunks read? Best-smellers! How does Darth Vader like his toast? On the dark side. . . . and many more!

Just in time for the 20th anniversary of Spy's creation comes the definitive anthology, inside story, and scrapbook. Spy: The Funny Years will remind the magazine's million readers why they loved and depended on Spy and bring to a new generation the jewels of its reporting and writing, photography, illustration, design, and world-class mischief-making. It will demonstrate Spy's singular niche in American magazine and cultural history. But it is also intended to be enjoyed on its own: one beautiful volume containing Spy's funniest and most creative work, along with the ultimate insiders account of how it all came to be. All the best is here: Separated at Birth; Naked City; The Fine Print; Logrolling in Our Time; the Blurb-o-Mat; those hysterical (and now ubiquitous) charts; the inside stories on the New York Times and Hollywood by J.J. Hunsecker and Celia Brady; the covers; investigative features; and the hilarious stories on pretty much everyone who was anyone during the late 80s and early 90s. Not to mention the often grisly but always entertaining regular cast of characters from Spy's pages -- the churlish dwarf billionaires; beaver-faced moguls; bull-whip-wielding uber-agents; knobby-kneed socialites; and, of course, short-fingered vulgarians. During its heyday, from 1986 through 1993, Spy broke important ground in journalism and design, defining smartness for its generation. It was a once-in-a-lifetime creation that shaped the zeitgeist and succeeded (for a while) against all odds. Spy: The Funny Years will be the fun, stylish, hilarious holiday gift of the year.

In the mid-seventies, both gender studies and humor studies emerged as new disciplines, with scholars from various fields undertaking research in these areas. The first publications that emerged in the field of gender studies came out of disciplines such as philosophy, history, and literature, while early works in the area of humor studies initially concentrated on language, linguistics, and psychology. Since then, both fields have flourished, but largely independently. This book draws together and focuses the work of scholars from diverse disciplines on intersections of gender and humor, giving voice to approaches in disciplines such as film, television, literature, linguistics, translation studies, and popular culture.