"In Jones's electrifying 10th...Scottsdale, Arizona, PI Lena is approached by Harold Slow Horse, one of Arizona's leading artists...[and] gets on a trail that leads her at long last to answers about her troubled past..." —Publishers Weekly At the age of four, Scottsdale private eye Lena Jones was shot in the head and left to die on a Phoenix street. After her rescue, she spent years in the abusive foster care system, never knowing who her parents were and why they didn't claim her. When Desert Redemption begins, she still doesn't know her real name. Lena's rough childhood—and the suspicion that her parents may have been members of a cult—keeps her hackles raised. So when Chelsea, the ex-wife of Harold Slow Horse, a close friend, joins a "new thought" organization called Kanati, Lena begins to investigate. She soon learns that two communes—polar opposites of each other—have sprung up nearby in the Arizona desert. The participants at EarthWay follow a rigorous dietary regime that could threaten the health of its back-to-the-land inhabitants, while the more pleasure-loving folk at Kanati are dining on sumptuous French cuisine. On an early morning horseback ride across the Pima Indian Reservation, Lena finds an emaciated woman's body in the desert. "Reservation Woman" lies in a spot close to EarthWay, clad in a dress similar to the ones worn by its women. But there is something about her face that reminds Lena of the Kanatians. While investigating, Lena's memory is jolted back to that horrible night when her father and younger brother were among those murdered by a cult leader named Abraham, who then vanished. Lena begins to wonder if either EarthWay or Kanati could be linked to that night, and to her own near-death. Could leaders of one or both shed light on what had happened to Lena's mother, who vanished at the same time as Abraham? All these mysteries are resolved in Desert Redemption, the tenth and final Lena Jones case, which can also be enjoyed on its own.

An epic fantasy adventure set in the beloved world of the Demon Cycle, following a new generation of heroes, from New York Times bestselling author Peter V. Brett “Heart-wrenching, smart, and modern . . . The Desert Prince has set a new standard for fantasy.”—Wesley Chu, #1 New York Times bestselling author of The War Arts Saga Fifteen years have passed since the end of the war with demons, creatures of darkness who have hunted the night and plagued humanity since time out of mind. The heroes of humanity’s hour of need have become legend, and those who remain struggle to escape their shadows. Olive Paper and Darin Bales have grown up in this new peaceful world. Demons have been all but destroyed, but dangers still lurk for the children of heroes. Olive, princess of Hollow, has her entire life planned out by her mother, Duchess Leesha Paper: a steady march on a checklist to prepare her for succession. The more her mother writes the script, the more Olive rails against playing the parts she is assigned. Darin faces challenges of a different kind. Though free to choose his own path, the weight of legacy hangs heavy around his shoulders. It isn’t easy being the son of the man people say saved the world. Everyone expects greatness from Darin, but the only thing he’s ever been great at is hiding. When Olive and Darin step across the wards one night, they learn the demons are not all gone, and those that remain hunger for revenge. Events are set in motion that only prophecy can foresee as Olive and Darin seek to find their own places in the world in time to save it again.

Antonio Negri, one of Italy's most influential and controversial contemporary philosophers, offers in this book a radical new interpretation of the nineteenth-century Italian poet Giacomo Leopardi. For Negri, Leopardi is not the bitter, idealistic individualist of conventional literary history, but rather a profoundly materialist thinker who sees human solidarity as the only possible solution to the catastrophes of history and politics. Negri traces Leopardi's resistance to the transcendental idealism of Kant and Hegel, with its emphasis on reason's power to resolve real antagonisms into abstract syntheses, and his gradual development of a sophisticated poetic materialism focused on the constructive power of the imagination and its "true illusions." Like Nietzsche (who admired him), Leopardi provides an alternative to modernity within modernity, expressing a force of rupture and recomposition—a uniquely Italian one—that is as relevant now as it was in the nineteenth century, and which connects to the theory of Empire as the political constitution of the present that Negri has elaborated in collaboration with Michael Hardt.

A romantic suspense short story… Intrepid investigative journalist Eve Reynolds has a passion for justice that often puts her in danger. When she agrees to travel to Phoenix to investigate a drug gang known as the Desert Diablos, she becomes a target. Good thing she has a guardian angel. DEA undercover agent Nico Johnson is no angel. He’s definitely human, and his weakness for Eve proves it. She’s tough and capable, but he’s watched from afar to make sure she’s safe. The woman has a reckless streak that would have her running headlong into a raging storm to save a stranger. This time, his gut is telling him she’s in more danger than she can handle. The ruthless Desert Diablos will do anything necessary to take out a threat to their drug-running organization. Nico’s used to fighting threats like them. What he can’t fight is his growing desire for Eve. Despite his good intentions, he can’t resist her. After all, everything’s hotter in the desert. 10,000 words

The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.

The Negev desert occupies most of the territory of Israel. It has a strategic importance for the existence of the center of the country and at the same time is considered as a natural wild periphery. Since the 1920s, there was a tendency to conquer and flourish the desert, while since the 1980s, the ecological values gained importance. This manuscript reveals the relationship between man and his environment, employing texts analysis according to the ecocriticism approach. The study shows how as part of globalization processes, the status of collectivism in Israeli society was declined whereas the ability of social groups to influence the spatial identity construction has increased. Dr. Ilanit Ben-Dor Derimian, lecturer specialized in Israel and Jewish culture and history studies, member of the Research Center of Foreign Cultures, Languages and Literatures (CECILLE), University of Lille, France.

One woman's trash is another woman's--lost Chagall masterpiece?!? Expat Zoe Barlow has settled well into her artist's life among the Lost Generation in 1920s Paris. When a too-tipsy guest at her weekly poker game breaks Zoe's favorite clock, she's off to a Montparnasse flea market to bargain with the vendor Laurette for a replacement. What Zoe didn't bargain for was the lost Chagall painting that's been used like a rag to wrap her purchases! Eager to learn whether Laurette has more Chagalls lying about like trash, Zoe sets off to track her down at her storage shed. With no Laurette in sight, Zoe snoops around and indeed finds several additional Chagalls—and then she finds Laurette herself, dead beneath a scrap heap, her beautiful face bashed in. With Paris hosting the 1924 Summer Olympics, the police are far too busy with tourist-related crimes to devote much time to the clock seller's murder. After returning the paintings to a grateful Marc Chagall, Zoe begins her own investigation. Did the stolen paintings play any part in the brutal killing? Or was it a crime of passion? Zoe soon discovers that there were many people who had reason to resent the lovely Laurette. But who hated the girl enough to stop her clock permanently? When Zoe discovers a second murder victim, the pressure is on to find the killer before time—and luck—run out.