When times are darkest, one vampire desires more than blood. As mortal men battle for the English crown, vampire warriors’ move undetected among their ranks, savoring the flow of blood the battlefield provides. Vampire prince, Severian Pearce, fears a revelation of their existence to humankind should the king fall from power. While in pursuit of the king’s enemies, Severian comes to the aid of Meridian, a human woman he craves—and not for the scent of her blood—but for the dark desires written on the pages of her diary. Meridian is torn between honoring her father’s dying wish and her unexplainable yearning for Lord Pearce. But as Severian and Meridian work together to protect a holy relic hunted by mortals and immortals alike, the Red Veil descends over them. This all-consuming attraction can drive vampires to the brink of madness and most humans do not survive its bloodlust. Will the existence of this powerful bond between a human and a vampire be enough to unite the seven immortal clans and protect them from the human world or is the Red Veil a plague set on destroying any chance they might have of being together for eternity?

The word “blood” awakens ancient ideas, but we know little about its historical representation in Western cultures. Anthropologists have customarily studied how societies think about the bodily substances that unite them, and the contributors to this volume develop those questions in new directions. Taking a radically historical perspective that complements traditional cultural analyses, they demonstrate how blood and kinship have constantly been reconfigured in European culture. This volume challenges the idea that blood can be understood as a stable entity, and shows how concepts of blood and kinship moved in both parallel and divergent directions over the course of European history.

'I have success, money, women. I've been lionised by the public and the media. The world is at my feet. I've spread my wings and here I am, soaring above everything and everyone. But in reality, the descent has already begun.' Thomas Dekker was set to become one of pro cycling’s superstars. But before long, he found himself sucked in by the lure of hedonistic highs and troubled by the intense pressure to perform. In The Descent, Dekker tells his story of hotel room blood bags, shady rendezvous with drug dealers and late-night partying at the Tour de France. This is Dekker’s journey from youthful idealism to a sordid path of excess and doping that lays bare cycling’s darkest secrets like never before.

She is bound to serve. He is meant to kill. Survival is their prison. Choice is their weapon. As the sacred slave of a goddess, Roma is of a lower caste that serves patrons to sustain the balance between gods and men. What she wants is her freedom, but deserters are hunted and hanged, and Roma only knows how to survive in her village where women are vessels without a voice. When her younger brother is condemned to the same wretched fate as hers, Roma must choose between silence and rebellion. Leviathan is the bastard son of an immortal tyrant. Raised in a military city where everyone knows of his blood relation to the persecuted clans, Leviathan is considered casteless. Lowest of the low. Graduating as one of the deadliest soldiers, he executes in his father's name, displaying his worth. When he faces judgement from his mother's people-the clans-Leviathan must confront his demons and forge his own path, if he ever hopes to reclaim his soul. But in the struggle to protect the people they love and rebuild their identities, Roma's and Leviathan's destinies interlock as the tyrant hunts an ancient treasure that will doom humankind should it come into his possession-a living treasure to which Roma and Leviathan are the ultimate key. Set in a colonised Indo-Persian world and inspired by Pre-Islamic Arabian mythology, The Descent of the Drowned is a tale about power, identity, and redemption, and what it takes to hold on to one's humanity in the face of devastation. TW: Physical and emotional abuse, mention of rape and sodomisation, sexual assault, suicide, bigotry, drug abuse, and human trafficking.

A Breakout NEW YORK TIMES Bestseller A USA Today Bestseller An Indie National Bestseller “Outstanding . . . The days when you had to choose between a great story and a great piece of writing? Gone.” —Esquire “The story unfolds brilliantly, always surprisingly . . . The magic of his prose equals the horror of Johnston’s story; each somehow enhances the other . . . Read this astonishing novel.” —The Washington Post “Tim Johnston’s high-wire literary thriller . . . will leave you gasping.” —Vanity Fair “A riveting literary thriller of the can’t-stop-turning-the-page, stay-up-all-night variety.” —Alice LaPlante, author of A Circle of Wives The Rocky Mountains have cast their spell over the Courtlands, a young family from the plains taking a last summer vacation before their daughter begins college. For eighteen-year-old Caitlin, the mountains loom as the ultimate test of her runner’s heart, while her parents hope that so much beauty, so much grandeur, will somehow repair a damaged marriage. But when Caitlin and her younger brother, Sean, go out for an early morning run and only Sean returns, the mountains become as terrifying as they are majestic, as suddenly this family find themselves living the kind of nightmare they’ve only read about in headlines or seen on TV. As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren’t they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin’s disappearance, all the more devastating for its mystery, is the beginning of the family’s harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures every emotion, every moment of fear, as each member of the family searches for answers, Descent is a perfectly crafted thriller that races like an avalanche toward its heart-pounding conclusion, and heralds the arrival of a master storyteller.

A bold new indictment of the racialization of science Decades of data cannot be ignored: African American adults are far more likely to develop Type 2 diabetes than white adults. But has science gone so far in racializing diabetes as to undermine the search for solutions? In a rousing indictment of the idea that notions of biological race should drive scientific inquiry, Sweetness in the Blood provides an ethnographic picture of biotechnology’s framings of Type 2 diabetes risk and race and, importantly, offers a critical examination of the assumptions behind the recruitment of African American and African-descent populations for Type 2 diabetes research. James Doucet-Battle begins with a historical overview of how diabetes has been researched and framed racially over the past century, chronicling one company’s efforts to recruit African Americans to test their new diabetes risk-score algorithm with the aim of increasing the clinical and market value of the firm’s technology. He considers African American reticence about participation in biomedical research and examines race and health disparities in light of advances in genomic sequencing technology. Doucet-Battle concludes by emphasizing that genomic research into sub-Saharan ancestry in fact underlines the importance of analyzing gender before attempting to understand the notion of race. No disease reveals this more than Type 2 diabetes. Sweetness in the Blood challenges the notion that the best approach to understanding, managing, and curing Type 2 diabetes is through the lens of race. It also transforms how we think about sugar, filling a neglected gap between the sugar- and molasses-sweetened past of the enslaved African laborer and the high-fructose corn syrup- and corporate-fed body of the contemporary consumer-laborer.