This book in two volumes gives the status quaestionis of the Qumran Copper Scroll, fifty years after its discovery. The first part of volume one, amply illustrated with graphics and images, gives the technical expertise of its state of preservation together with the proposals for treatment developed by the laboratory EDF-Valectra for its restoration-conservation. The production of a facsimile by means of galvanoplasty and digitalized images is explained. The second part of volume one gives a largely renewed edition of the engraved Hebrew text with an up-to-date commentary, French and English translations, and indices. The second volume of nearly 400 plates publishes photographs and X-Rays of each segment before and after treatment, as well as the reproduction by means of galvanoplasty and digitalized images.

Byzantine poetry of the eleventh century is fascinating, yet underexplored terrain. It presents a lively view on contemporary society, is often permeated with wit and elegance, and is concerned with a wide variety of subjects. Only now are we beginning to perceive the possibilities that this poetry offers for our knowledge of Byzantine culture in general, for the intellectual history of Byzantium, and for the evolution of poetry itself. It is, moreover, sometimes in the most neglected texts that the most fascinating discoveries can be made. This book, the first collaborative book-length study on the topic, takes an important step to fill this gap. It brings together specialists of the period who delve into this poetry with different but complementary objectives in mind, covering the links between art and text, linguistic evolutions, social functionality, contemporary reading attitudes, and the like. The authors aim to give the production of 11th-century verse a place in the Byzantine genre system and in the historic evolution of Byzantine poetry and metrics. As a result, this book will, to use the expression of two important poets of the period, "offer a small taste" of what can be gained from the serious study of this period.

This volume (in French) contains the editio princeps of the second part (4Q550-583) of the Aramaic texts from Cave 4 at Qumran which were originally assigned to Pere Jean Starcky (4Q521-578). The first part of the Aramaic texts were published in volume XXXI of the Discoveries in the Judaean Desert series, while the Hebrew texts were published in volume XXV. These Aramaic and Hebrew texts include primarily parabiblical and pseudepigraphical compositions, often named 'Apocryphon', 'Testament', 'Pseudo-', or 'Visions'. They reflect the interest in biblical themes characteristic of Second Temple period Judaism, and exhibited in many of the Qumran compositions.

Nothing like wordplay can make difference between languages look so uncompromising, can give such a sharp edge to the dilemma between forms and effects, can so blur the line between translation and adaptation, or can cast such harsh light on our illusion of complete semantic stability. In the pun the whole language system may resonate, and so may literary traditions and ideological discourses. It follows that the pun does not only put translators to the test, it also poses a challenge to the views and concepts of those who study translation. This book brings together experts on translation and the pun, as well as researchers representing a variety of other relevant disciplines and schools of thought, ranging from theology to deconstruction and from contrastive linguistics to feminism. It can be read as a companion volume to Wordplay and Translation, a special issue of The Translator (Volume 2, Number 2, 1996), also edited by Dirk Delabastita