This book considers in turn Derrida's treatment of the theories of signification proposed by Hegel, Husserl, Heidegger, Saussure and Lévi-Strauss, Austin, and Searle. Derrida's anasemiological deconstruction of semiology is examined in the light of Nietzsche's views of truth and in relation to some of the problems regarding meaning that have received the attention of Frege, Wittgenstein, Goodman, and Quine. Among the topics discussed are metaphor, the middle voice, the imagination, necessity, and chance, Freud on the uncanny, and the paradoxes of undecidability that seem to be generated by the classical logic of classification, traditional ways of opposing inside and outside, modern ways of opposing Analytic and so-called Continental philosophy.

Threshold Phenomena reexamines Jacques Derrida’s thinking of hospitality, from his well-known writings of the 1990s to his recently-published seminars on the same topic. The book follows Derrida’s rereading of several central figures and texts on hospitality (Sophocles’ Oedipus at Colonus, Kant’s Perpetual Peace, Levinas’s Totality and Infinity) and his attempt to rethink questions surrounding not only private but also public hospitality in the form of immigration law, the contemporary treatment of migrants or stateless peoples, and the establishment of cities of asylum. Naas develops many of the central themes of Derrida’s seminar—the relationship between hospitality and teletechnology (telephone, internet, cyberspace, etc.), the role of fatherlands and mother tongues in hospitality, questions of purity, immunity, and xenophobia, and the possibility of extending hospitality beyond the human—to animals, plants, gods, and clones. Reframing Derrida’s approach to ethics, Naas reconsiders the relationship between hospitality and deconstruction, concluding that hospitality is not merely a theme to be treated by deconstruction but one of the best ways of describing its work. Naas’s book turns around a figure that Derrida himself returns to several times throughout the seminar: the threshold—a figure of hospitality par excellence, but also, in his seminars, another name for what Derrida in the 1960s began calling différance. Threshold Phenomena concludes that Derrida’s seminar on hospitality is one of the best introductions we have to Derrida’s work in general and one of the surest signs of its continuing relevance, a seminar that is at once fascinating and engaging in its own right and necessary for analyzing today’s increasingly nationalistic and xenophobic political climate.

Both Jacques Derrida and Julia Kristeva have made an enormous impact throughout the humanities with their work on signification, identity and difference, and yet the nature of the relation between their theories seems oddly indeterminate: they have sometimes been regarded as more or less indistinguishable and sometimes as incompatible This book aims at establishing precisely how Kristeva's and Derrida's writings may be articulated, tracing intersections and divergences, parallels and discontinuities between them. But how do you compare two theories of the production of difference? What conception of difference do you use to go about it? Any search for a dividing line between Derrida and Kristeva already engages with their preoccupations. Should the juxtaposition of these practices be conceived as a face-to-face confrontation or rather a gap, a hiatus? Could it be a dialectic? or a diff rance? Should it be thought of in terms of Kristeva's work . . . or Derrida's? Accessible and lively, this book studies the theories on their own terms, in terms of one another, and with regard to the literary text, a privileged object of their attention. It demonstrates that the articulation of the theories shifts under different discursive conditions such that a Derridean reading of the relation is unlikely to coincide with a Kristevan interpretation. It shows why there is no single answer to the question of how the two fit together. And it investigates what is at stake in the strategic uses to which their work is put, whether separately or together.

'Simon Morgan Wortham's Derrida Dictionary is a spectacular intellectual accomplishment. He has amazing mastery of all Derrida's multitudinous writings (about seventy books, an immense number of articles and interviews). Perhaps the highest praise I can make of this extraordinary and extraordinarily valuable book is that each entry, rather than closing the door on a given Derridean topic, makes you want to go back and read or reread for yourself Archive Fever of Paper Machine or Without Alibi, and all the rest of those seventy books.'-J. Hillis Miller, Distinguished Research Professor of Comparative Literature, University of California, Irvine, USA "This is no ordinary dictionary. Simon Morgan Wortham provides not only comprehensive, rigorously defined, and well contextualised terms that cross-reference other terms and books across the corpus of Derrida's work, but in the process offers a lucid exposition of Derrida's work itself.'-Nicole Anderson, Co-Editor/Founder Derrida Today journal, Macquarie University, Australia The Derrida Dictionary is a comprehensive and accessible guide to the world of Jacques Derrida, the founder of deconstruction and one of the most influential European thinkers of the twentieth century. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences. A-Z entries include clear definitions of all the key terms used in Derrida's writings and detailed synopses of his key works. The Dictionary includes entries on Derrida's major philosophical influences and those he engaged with, from Kant to Levinas. Offering clear and accessible explanations of often complex terminology, The Derrida Dictionary is the ideal resource for anyone reading Derrida, deconstruction or modern European philosophy.

In this distinctive exploration of John D. Caputo's work, Štefan Štofaník traces Caputo's journey of philosophical discovery from his earlier, more conventional academic writings to his later, almost confessional works of weak theology and his deep engagement with Derrida. Štofaník draws upon Caputo's life story to help explain sudden shifts in Caputo's thinking, offers intricate readings of philosophical passages that have all too often been taken for granted, and joins in Caputo's effort to find a theology that can be trusted and that does not rely upon dogmatic and hierarchical authority. At the same time, Štofaník subtly disagrees with aspects of Caputo's view and turns to the work of Antoine de Saint-Exupéry as a way to suggest that one cannot take leave of the tradition of theology as easily as Caputo thinks. At times, The Adventure of Weak Theology reads like a letter to Caputo, and Štofaník's own passion for theology, his deep understanding of Caputo's work, and his gift for writing makes this an immensely appealing book for both admirers and critics of Caputo.

This study, in examining the work of Jacques Derrida and its relevance to feminist biblical interpretation, provides valuable new insights into the theological implications of gender issues, reading, writing and postmodern thought.

Engaging Deconstructive Theology presents an evangelical approach for theological conversation with postmodern thinkers. Themes are considered from Derrida, Foucault, Mark C. Taylor, Rorty, and Cupitt, developing dialogue from an open-minded evangelical perspective. Ron Michener draws upon insights from radical postmodern thought and seeks to advance an apologetic approach to the Christian faith that acknowledges a mosaic of human sources including experience, literature, and the imagination.