All of Derrida’s texts on Joyce together under one cover in fresh, new translations, along with key essays covering the range of Derrida’s engagement with Joyce’s works. Bringing together all of Jacques Derrida’s writings on James Joyce, this volume includes the first complete translation of his book Ulysses Gramophone: Two Words for Joyce as well as the first translation of the essay “The Night Watch.” In Ulysses Gramophone, Derrida provides some of his most thorough reflections on affirmation and the “yes,” the signature, and the role of technological mediation in all of these areas. In “The Night Watch,” Derrida pursues his ruminations on writing in an explicitly feminist direction, offering profound observations on the connection between writing and matricide. Accompanying these texts are nine essays by leading scholars from across the humanities addressing Derrida’s treatments of Joyce throughout his work, and two remembrances of lectures devoted to Joyce that Derrida gave in 1982 and 1984. The volume concludes with photographs of Derrida from these two events.

In Joyce, Derrida, Lacan and the Trauma of History, Christine van Boheemen-Saaf examines the relationship between Joyce's postmodern textuality and the traumatic history of colonialism in Ireland. Joyce's influence on Lacanian psychoanalysis and Derrida's philosophy, Van Boheemen-Saaf suggests, ought to be viewed from a postcolonial perspective. She situates Joyce's writing as a practice of indirect 'witnessing' to a history that remains unspeakable. The loss of a natural relationship to language in Joyce calls for a new ethical dimension in the process of reading. The practice of reading becomes an act of empathy to what the text cannot express in words. In this way, she argues, Joyce's work functions as a material location for the inner voice of Irish cultural memory. This book engages with a wide range of contemporary critical theory and brings Joyce's work into dialogue with thinkers such as Zizek, Adorno, Lyotard, as well as feminism and postcolonial theory.

How is meaning in one text shaped by another? Does intertextuality consist of more than simple references by one text to another? This work explores these questions through a comparative study of James Joyce's "Finnegans Wake" and the deconstructive texts of Jacques Derrida, with a particular emphasis on "Glas".

This the first monograph to examine Joycean time from a Deleuzian perspective.

This volume is devoted to translations of some of the most significant criticism of James Joyce to have appeared in French journals over the last twenty, years. Joyce has been a great stimulus for new modes of theoretical and critical inquiry in France, which have in turn exerted a profound influence on the intellectual climate both in the UK and in North America. In their shared preoccupations with the mechanisms of textuality and the implications thereof for the writing-and-reading subject, all the contributors to this volume, who include Hélène Cixous, Jacques Aubert, JeanMichel Rabaté, André Topia and Jacques Derrida, form part of the movement away from the structuralism that dominated intellectual discussion in the 1960s to what is now called (though not in France itself), 'post-structuralism'.

Jacques Derrida is probably the most famous European philosopher alive today. The University of Nebraska Press makes available for the first English translation of his most important work to date, Glas. Its appearance will assist Derrida's readers pro and con in coming to terms with a complex and controversial book. Glas extensively reworks the problems of reading and writing in philosophy and literature; questions the possibility of linear reading and its consequent notions of theme, author, narrative, and discursive demonstration; and ingeniously disrupts the positions of reader and writer in the text. Glas is extraordinary in many ways, most obviously in its typography. Arranged in two columns, with inserted sections within these, the book simultaneously discusses Hegel’s philosophy and Jean Genet’s fiction, and shows how two such seemingly distinct kinds of criticism can reflect and influence one another. The customary segregation of philosophy, rhetoric, psychoanalysis, linguistics, history, and poetics is systematically subverted. In design and content, the books calls into question “types” of literature (history, philosophy, literary criticism), the ownership of ideas and styles, the glorification of literary heroes, and the limits of literary representation.

"The first full-length study of Jacques Derrida's criticism based upon the works of James Joyce. It is a brilliantly explicated study, clearly written, and eminently sensible. It will be the last word on the subject for years to come."--Zack Bowen, University of Miami This book analyzes Derrida's uses of Joyce within his own work and demonstrates how Joyce's writings operate deconstructively. The complex and tantalizing relationship between the two men has intrigued Joyceans and Derrideans alike. Alan Roughley here offers remarkable readings of both Joyce and Derrida texts, in particular of Finnegans Wake and Glas. Exploring how Joyce's ghost haunts many of Derrida's major writings, Roughley concentrates on two areas: how Derrida reads Joyce and sees his work as deconstructive and how English-speaking Joyceans have made use of Derrida's theories. Long overdue, this is the first major comprehensive study of the relationship between Joyce and Derrida. It demonstrates specific ways in which the major works of one of the century's most important literary writers are some of the most powerful forces in the work of the century's most complex and controversial theorist. It will appeal to Joyceans of all persuasions, including anti-Derrideans, and to anyone with an interest in philosophy and contemporary theory. Alan Roughley is a research fellow at the University of York in the United Kingdom. He is the author of James Joyce and Critical Theory: An Introduction and Infernal Cinders: An Assemblage of Contemporary Writings, and the founding co-editor of Hypermedia Joyce, an international electronic journal of Joyce studies.