After the fall of the Wall, Berlin is full of disused spaces and abandoned buildings, just waiting to be filled with new life. It is unclear who owns any of this, which allows the techno scene to take over these new empty spaces in both halves of the city. Clubs, galleries, ateliers and studios spring up – only to disappear again a few weeks later. Soon Berlin has become the epicentre of a new culture, attracting enthusiastic followers from all over the world to clubs like the Tresor and the E-Werk. Wearing gasmasks and welding goggles they dance the night away to the jackhammer sound of previously obscure Detroit DJs. Among them are writers, artists, photographers, designers, DJs, club-owners, music producers, bouncers and scenesters, people from the centre of the movement and from its peripheries – in Der Klang der Familie they all get to have their say and paint a vibrant picture of a time when it felt like everything was possible.

In September to be released as the film THE FAMILY, starring Robert De Niro, Michelle Pfeiffer and Tommy Lee Jones. Directed by Luc Besson, produced by Martin Scorsese. Fred Blake has moved to Normandy with his dysfunctional family, ostensibly to write a history of the Allied landings.. But Fred’s real name is Giovanni Manzoni - an ex-Mafia boss who has snitched. And his record in other locations under the FBI Witness Protection Program would indicate that his cover is not likely to last very long.

An unapologetic embrace of the nightlife, this fragmentary novel attempts to capture the feel of debauchery from within.

Overview: Although the most vital and innovative trend in contemporary music, techno is notoriously difficult to define. What, exactly, is techno? Author Dan Sicko offers an entertaining, informed, and in-depth answer to this question in Techno Rebels, the music's authoritative American chronicle and a must-read for all fans of techno popular music, and contemporary culture.

Flat-Out Love is a warm and witty novel of family love and dysfunction, deep heartache and raw vulnerability, with a bit of mystery and one whopping, knock-you-to-your-knees romance. Something is seriously off in the Watkins home. And Julie Seagle, college freshman, small-town Ohio transplant, and the newest resident of this Boston house, is determined to get to the bottom of it. When Julie's off-campus housing falls through, her mother's old college roommate, Erin Watkins, invites her to move in. The parents, Erin and Roger, are welcoming, but emotionally distant and academically driven to eccentric extremes. The middle child, Matt, is an MIT tech geek with a sweet side ... and the social skills of a spool of USB cable. The youngest, Celeste, is a frighteningly bright but freakishly fastidious 13-year-old who hauls around a life-sized cardboard cutout of her oldest brother almost everywhere she goes. And there's that oldest brother, Finn: funny, gorgeous, smart, sensitive, almost emotionally available. Geographically? Definitely unavailable. That's because Finn is traveling the world and surfacing only for random Facebook chats, e-mails, and status updates. Before long, through late-night exchanges of disembodied text, he begins to stir something tender and silly and maybe even a little bit sexy in Julie's suddenly lonesome soul. To Julie, the emotionally scrambled members of the Watkins family add up to something that ... well ... doesn't quite add up. Not until she forces a buried secret to the surface, eliciting a dramatic confrontation that threatens to tear the fragile Watkins family apart, does she get her answer.Flat-Out Love comes complete with emails, Facebook status updates, and instant messages.

Joining the ranks of Please Kill Me and Can’t Stop Won’t Stop comes this definitive chronicle of one of the hottest trends in popular culture—electronic dance music—from the noted authority covering the scene. It is the sound of the millennial generation, the music “defining youth culture of the 2010s” (Rolling Stone). Rooted in American techno/house and ’90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture. Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet—message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy—(Molly, as it’s know today) an empathic drug that heightens sensory pleasure—was the narcotic fueling this alternative movement. Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars—from early break-in parties to Skrillex and Daft Punk—The Underground Is Massive captures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in.