From the acclaimed author of Weather comes a slim, stunning portrait of a marriage--a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all. ONE OF THE 10 BEST BOOKS OF THE YEAR - THE NEW YORK TIMES BOOK REVIEW A Best Book of the Year: The New Yorker, The Boston Globe, Minneapolis Star Tribune, Vogue.com, Electric Literature, Buzzfeed In the beginning, it was easy to imagine their future. They were young and giddy, sure of themselves and of their love for each other. “Dept. of Speculation” was their code name for all the thrilling uncertainties that lay ahead. Then they got married, had a child and navigated the familiar calamities of family life—a colicky baby, a faltering relationship, stalled ambitions. When their marriage reaches a sudden breaking point, the wife tries to retrace the steps that have led them to this place, invoking everything from Kafka to the Stoics to doomed Russian cosmonauts as she analyzes what is lost and what remains. In language that shimmers with rage and longing and wit, Offill has created a brilliantly suspenseful love story—a novel to read in one sitting, even as its piercing meditations linger long after the last page.

_______________ 'Unexpectedly funny' - New York Times 'Full of imagination, humour and invention ... A glorious debut' - Irish Times 'Mesmerising ... She writes with a heartbreaking clarity ... and is dexterously able to evoke emotional extremity through pitch-perfect narrative compression' - The Times _______________ THE EXQUISITE DEBUT NOVEL FROM THE AUTHOR OF WEATHER, SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2020 To eight-year-old Grace Davitt, her mother, Anna, is a puzzling yet wonderful mystery. This is a woman who has seen a sea serpent in the lake, who paints a timeline of the universe on the sewing-room wall, and who teaches her daughter a secret language which only they can speak. For Grace's father, however, the only truth is science, and increasingly he finds himself shut out by Anna as she draws Grace deeper and deeper into a strange world of myth and obsession. _______________ Selected as a Book of the Year in Guardian, Telegraph, Observer, Irish Times and New York Times 'The charisma and damage of madness lend a desperate glamour' - Elle 'A gem of a book' - Tatler 'Brilliantly captures the confusion of childhood' - Red

NATIONAL BESTSELLER • From “one of the most acute and lasting writers of her generation” (The New York Times) comes a piercing novel of race, class, love, and war in America. Twenty-year-old Tassie Keltjin, the daughter of a gentleman farmer, has come to a university town as a student. When she takes a job as a part-time nanny for a mysterious and glamorous family, she finds herself drawn deeper into their world and forever changed. “An indelible portrait of a young woman coming of age in the Midwest in the year after 9/11…. Moore has written her most powerful book yet.” —The New York Times

SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION SHORTLISTED FOR THE BOOKS ARE MY BAG FICTION READERS AWARD An obligatory note of hope, in a world going to hell Lizzie Benson, a part-time librarian, is already overwhelmed with the crises of daily life when an old mentor offers her a job answering mail from the listeners of her apocalyptic podcast, Hell and High Water. Soon questions begin pouring in from left-wingers worried about climate change and right-wingers worried about the decline of Western civilization. Entering this polarized world, Lizzie is forced to consider who she is and what she can do to help: as a mother, as a wife, as a sister, and as a citizen of this doomed planet. "This is so good. We are not ready nor worthy" - Ocean Vuong

Conspiracies, celebrities, and therapies underpin this beguiling short-story collection from Elizabeth Tan. A cat-shaped oven tells a depressed woman she doesn't have to be sorry anymore. A Yourtopia Bespoke Terraria employee becomes paranoid about the mounting coincidences in her life. Four girls gather to celebrate their fabulous underwear. With her trademark wit and slicing social commentary, Elizabeth Tan’s short stories are as funny as they are insightful. This collection cements her role as one of Australia’s most inventive writers ‘This utterly original book will mess with your mind and make you laugh like a drain.‘ Sydney Morning Herald ‘Elizabeth Tan can twist ordinary suburban life into the weirdest shapes.’ The Monthly ‘Tan twists a future that has already arrived with one in the process of arriving.’ The Saturday Paper ‘In a collection of consistent highlights, the brilliance of some stories is particularly blinding.’ Australian Book Review ‘Tan’s evocation of this dreamlike incongruity is playful, reminiscent of Murakami’s blasé surrealism and Coupland’s crafty wryness.’ Sydney Review of Books

A strange, thrilling novel about desperate love, paranoia, and heartbreak by one of America's most singular writers. “What’s new. What else. What next. What’s happened here.” Pitch Dark is a book about love. Kate Ennis is poised at a critical moment in an affair with a married man. The complications and contradictions pursue her from a house in rural Connecticut to a brownstone apartment in New York City, to a small island off the coast of Washington, to a pitch black night in backcountry Ireland. Composed in the style of Renata Adler’s celebrated novel Speedboat and displaying her keen journalist’s eye and mastery of language, both simple and sublime, Pitch Dark is a bold and astonishing work of art.

Bringing together the voices of Francine Prose, Katie Roiphe, Dorothy Allison, Elizabeth Strout, and others, this title casts new light on the meaning and nature of women's friendships while illuminating the emotions evoked by the loss of a friend.