Deo Vindice (pronounced dayo-vin-dee-chee):The Resurrection, is a story of one man's obsession to right the wrongs of a horrible racial injustice by empowering its victims to take matters into their own hands. The book opens in an alternate universe in Alabama in 1964. The former states of the Confederacy have long been controlled politically and economically by the region's powerful black majority. How did such a thing come to pass? Who is responsible?Staying on the same alternate timeline, the reader is taken back to America in 1868, where the story unfolds and the questions are answered. In 1868, Benjamin "Bluff" Wade is President Pro Tempore of the United States Senate. After the impeachment and subsequent conviction of President Andrew Johnson, Wade assumes the presidency due to a never-before-used constitutional quirk. The new president quickly assembles the most dedicated souls to the freedmen cause, including the foremost black leader of the day: Frederick Douglass. Wade is determined to implement his newly drafted Fifth Reconstruction Act. This Act authorizes widespread reform in the social, political and economic life of citizens in the former Confederacy. The Act also approves the militarization of blacks living in those states.The book also follows the career of a young math prodigy, Lisa Stewart, who has grown up to become an exceptionally brilliant and strikingly beautiful change agent. She is charged with transforming the tax, banking, and communication systems throughout the former Confederacy. Stewart's efforts are supported by Aurelius Foginet, an unassuming military and political genius. With Stewart at his side, the powerful and determined black duo, along with a very capable black political organizer, Randall McArthur, and the elite troops of the feared Southern Guard, attempt to establish a safe haven for blacks in the former Confederacy. However, the group's efforts are challenged by the Redeemers, a group of ex-Confederates hell bent on reclaiming their Southern homeland. The group is comprised of influential politicians, maniacal racial terrorists, and former slave owners. A showdown between both sides is imminent. When the Redeemers make one last desperate attempt to reclaim their sacred homeland, Foginet unleashes Operation Deo Vindice and the country is soon brought to the brink of a second civil war.

Louisiana is unique among Western states in having almost three hundred years of history. Every writer who was anybody from the colonial days until the end of the nineteenth century are included. Replete with the literature of Louisiana, this historical collection of history, poetry, essays, and fiction features writers and biographers who are among the South's most recognized. The Louisiana Book compiles sketches of important battles and heroic figures from the Civil War era, as well as essays concerning the faults of Reconstruction. Included are two short works that debate the merits of George W. Cable's Freedman's Case in Equity. This book also contains a copious amount of poetry from Southern women. The volume is divided into these sections: Part I - Historical Part II - Specimens of oratory Part III - Essays Part IV - Fiction Part V - Poetry Included in this compilation are works by John J. Audubon, John Augustin, Julia K Wetherill Baker, Napier Bartlett, P. G. T. Beauregard, Judah P. Benjamin, Mark F. Bigney, Joseph Brennan, J. Dickson Bruns, Henry A. Bullard, B----z, George W. Cable, T. Wharton Collens, Auguste D'Avezac, M. E. M. Davis, J. D. B. DeBow, Emmanuel De La Moriniere, Albert Delpit, Edward Dessommes, Alexander Dimitry, Charles Patton Dimitry, John Dimitry, Anna Peyre Dinnies, Sarah A. Dorsey, E. John Ellis, John R. Ficklen, Martha R. Field, Henry Lynden Flash, Alcï¿1/2e Fortier, Charles Gayarrï¿1/2, Randall L. Gibson, John R. Grymes, Lafcadio Hearn, William H. Holcombe, Randell Hunt, William Preston Johnston, Grace King, Henry J. Leovy, Edward Livingston, Francois-Xavier Martin, Etienne Mazureau, Theodore H. M'Caleb, Harry McCarthy, Frank McGloin, Alfred Mercier, Eliza J. Nicholson, Richard Nixon, R. N. Ogden, John W. Overall, William Miller Owen, Benjamin M. Palmer, Seargent S. Prentiss, James R. Randall, Alfred Roman, Christian Roselius, Adrien Rouquette, B. J. Sage, Gustavus Schmidt, Thomas J. Semmes, Robert Sharp, James T. Smith, Pierre Soulï¿1/2, Ruth McEnery Stuart, Richard Taylor, Mary Ashley Townsend, Alexander Walker, Richard Henry Wilde, Espy W. H. Williams, and Richard d'Alton Williams.

This unique collection of Canadian poetry demonstrates how poems can be complex yet communicate their essence simply and directly. This selection of spiritual, wittty, and subtly textured poems is both current and lively.

As rancorous debates over Confederate symbols continue, Robert Bonner explores how the rebel flag gained its enormous power to inspire and repel. In the process, he shows how the Confederacy sustained itself for as long as it did by cultivating the allegiances of countless ordinary citizens. Bonner also comments more broadly on flag passions--those intense emotional reactions to waving pieces of cloth that inflame patriots to kill and die. Colors and Blood depicts a pervasive flag culture that set the emotional tone of the Civil War in the Union as well as the Confederacy. Northerners and southerners alike devoted incredible energy to flags, but the Confederate project was unique in creating a set of national symbols from scratch. In describing the activities of white southerners who designed, sewed, celebrated, sang about, and bled for their new country's most visible symbols, the book charts the emergence of Confederate nationalism. Theatrical flag performances that cast secession in a melodramatic mode both amplified and contained patriotic emotions, contributing to a flag-centered popular patriotism that motivated true believers to defy and sacrifice. This wartime flag culture nourished Confederate nationalism for four years, but flags' martial associations ultimately eclipsed their expression of political independence. After 1865, conquered banners evoked valor and heroism while obscuring the ideology of a slaveholders' rebellion, and white southerners recast the totems of Confederate nationalism as relics of the Lost Cause. At the heart of this story is the tremendous capacity of bloodshed to infuse symbols with emotional power. Confederate flag culture, black southerners' charged relationship to the Stars and Stripes, contemporary efforts to banish the Southern Cross, and arguments over burning the Star Spangled Banner have this in common: all demonstrate Americans' passionate relationship with symbols that have been imaginatively soaked in blood.