The bucolic small-town life of Denville in the 1940s would change forever with the outbreak of World War II. After the attack on Pearl Harbor, the town mobilized, creating the Denville Local Defense Council, designating air wardens to watch the skies and establishing air raid sirens. Schoolchildren gathered around home radios to learn if there were enough supplies to heat the school, and families learned to live within the confines of a ration book. The Denville Salvage Committee proclaimed Bomb 'em with Junk! as it collected waste goods for the war effort. Hundreds of Denville men served valiantly in all theaters of the war, some earning prestigious military accolades and many tragically never returning. Author Peter Zablocki covers the history of World War II Denville, including interviews with members of the town's Greatest Generation.

The bucolic small-town life of Denville in the 1940s would change forever with the outbreak of World War II. After the attack on Pearl Harbor, the town mobilized, creating the Denville Local Defense Council, designating air wardens to watch the skies and establishing air raid sirens. Schoolchildren gathered around home radios to learn if there were enough supplies to heat the school, and families learned to live within the confines of a ration book. The Denville Salvage Committee proclaimed "Bomb 'em with Junk!" as it collected waste goods for the war effort. Hundreds of Denville men served valiantly in all theaters of the war, some earning prestigious military accolades and many tragically never returning. Author Peter Zablocki covers the history of World War II Denville, including interviews with members of the town's "Greatest Generation."

Denville in the 1950s was an idyllic place to live, yet a dark chapter in the era's history has remained uncovered. During the summer of 1953, a wealthy traveler with a secret rap sheet as a convicted sex offender arrived in town to continue his misdeeds. A group of thirteen local boys ranging in age from fourteen to twenty-two took it upon themselves to teach the man a lesson and drive him out of town. What resulted was his brutal death and the largest number of people ever indicted for murder in the nation at the time. The harrowing trial and its aftermath revealed a town forced to grapple with how to protect its youth and come to terms with the gruesome incident. Local historian Peter Zablocki covers the crime and a small town's path to redemption.

An American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production. This book treats the art colony not as a static addendum to an artist’s profile but rather as an essential ingredient in artistic life. The art colony here becomes a historical entity that changes over time and influences the kind of art that ensues. It is a special methodology of the study that collective features of three generation of artists help clarify how artists engage their audiences. Since many of these artists worked within the cultural confines of metropolitan New York and its magazine industry, they cultivated subjects that were recognizable by ordinary citizens. Early on, they drew from the emergent suburban life of their neighbors for their artistic themes. Gradually these contexts become more formally institutionalized and their subjects gravitated away from themes of ordinary life to themes more exotic, expressionistic and fanciful. A key methodology for this study consisted of an analysis of collective biographies of 170 participating artists. The theme of modern art explains here how abstraction was suborned to public images, widening the very meaning of the term modern.