Discovering DAISY's true identity not only shocks Teru but makes things more confusing for her as well. Meanwhile, someone pretending to be DAISY threatens to spread a computer virus at school! But who's the true target of this attack? -- VIZ Media

A huge explosion goes off on the uninhabited island that Kurosaki, Teru and Akira are on! What is the fate of these three, and what does their future hold? The Dengeki Daisy series comes to a conclusion, followed by bonus material, two special chapters, and the author’s debut manga, “No-Good Cupid”! -- VIZ Media

Teru gets kidnapped, and Kurosaki rushes to find out where she’s being held. The search takes him to an uninhabited island where Akira is determined to find “M’s Last Testament.” With the entire island rigged to blow up, will Kurosaki save both Teru and Akira in time? -- VIZ Media

Teru decides to move out of Kurosaki's apartment, but she wonders if Kurosaki is actually relieved that she's leaving. As she settles in at her new place, trouble comes knocking when an old business acquaintance of her brother's appears... -- VIZ Media

Kurosaki ist schockiert, denn seine heiß geliebte Teru wurde entführt!! Um ihr Leben nicht unnötig in Gefahr zu bringen, beschließen Kurosaki und die anderen, die Forderungen des Entführers vorerst zu erfüllen. Nur einer tanzt scheinbar aus der Reihe: Ando, der die Hände nicht in den Schoß legen, sondern aktiv nach Teru suchen will. Wird es ihnen gelingen, Teru aus den Fängen des Entführers zu befreien und um wen handelt es sich dabei überhaupt?!

This groundbreaking study examines the unlikely merger of two Japanese cultural phenomena, an 11th-century aristocratic text and contemporary manga comics. It explores the ways in which the manga versions of The Tale of Genji use gender, sexuality, and desire to challenge perceptions of reading and readership, morality and ethics, and what is translatable from one culture to another. Lynne K. Miyake shows that, through their girls, ladies, Boy Love, boys and young men, and informational comics remediations of the tale, the manga Genjis visually, narratively, and affectively rework male and female gazes; Miyake reveals how they gently inject humor, eroticize, gender flip, queer, and simultaneously re-inscribe and challenge heteronormative gender norms. The first full-length study of Genji manga, this book analyses these adaptations within manga studies and the historical and cultural moments that fashioned and sustained them. It also interrogates the circumscribed, in-group aristocratic society and the consumer and production practices of the Heian society that come full circle in the manga versions. The Tale of Genji through Contemporary Manga utilizes western queer, feminist, sexuality and gender theory and Japanese cultural practices to illuminate the ways in which the Genji tale redeploys itself. Yet it also provides much needed context and explanation regarding the charges of appropriation of prepubescent (fe)male and gay bodies and the utilization of (sexual) violence mounted against Genji manga-and manga and anime in general once they went global.