Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways--with an audience that reaches from students and scholars to professional architects and ardent amateurs--Scully has profoundly influenced the way architecture is thought about and made. This extensively illustrated and elegantly designed volume distills Scully's incalculable contribution. Neil Levine, a former student of Scully's, selects twenty essays that reveal the breadth and depth of Scully's work from the 1950s through the 1990s. The pieces are included for their singular contribution to our understanding of modern architecture as well as their relative unavailability to current readers. Levine offers a perceptive overview of Scully's distinguished career and introduces each essay, skillfully setting the scholarly and cultural scene. The selections address almost all of modern architecture's major themes and together go a long way toward defining what constitutes the contemporary experience of architecture and urbanism. Each is characteristically Scully--provocative, yet precise in detail and observation, written with passionate clarity. They document Scully's seminal views on the relationship between the natural and the built environment and trace his progressively intense concern with the fabric of the street and of our communities. The essays also highlight Scully's engagement with the careers of so many of the twentieth century's most significant architects, from Frank Lloyd Wright and Louis Kahn to Robert Venturi. In the tradition of great intellectual biographies, this finely made book chronicles our most influential architectural historian and critic. It is a gift to architecture and its history.

Proceeding from the premise that how we shape our physical environment is a fundamental reflection of our culture, this compendium of essays on landscape in the twentieth century evolved from a symposium of distinguished historians, scholars, architects, landscape architects, and artists organized by The Museum of Modern Art, New York, in 1988.

This book explores many issues raised by the range of ideas and images of the natural world in Western art since the Renaissance. The whole concept of landscape is examined as a representation of the relationship between the human and natural worlds. Featured artists include Claude, Freidrich, Turner, Cole and Ruisdael, and many different forms of landscape art are addressed, such as land art, painting, photography, garden design, panorama and cartography.

Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology. This book brings together more than fifty scholars from many disciplines to establish new ways of thinking about landscape in art.

Diamond-encrusted, alligator-skin handbags. Eighteen-course feasts. Yachts the length of city blocks. In the twenty-first century, many point to such conspicuous consumption as reflecting the moral failings of a rampant capitalism that sacrifices community values on an altar of greed. Television shows such as Keeping Up with the Kardashians illustrate the folly of wealth without responsibility even as they elevate their subjects on pedestals of desire. Our discomfort with extravagance is not new. The ancient Greeks and Romans fretted over the ideal relationship between morality and luxury. Politics, religion, and economics influenced the debate, with the concept of luxury as a moral question becoming a core issue in Christian theology and even a cornerstone of the founding of America. People have long feared luxury's evil influence. Society has publicly and privately extolled the virtues of moderation and restraint, and condemned luxury as a breeding ground for vice and sin. After capitalism and the consumer revolution removed its stigma, the concept of luxury underwent a radical transformation, from a vice to be feared to a marketing tool of the new capitalist era. In this lively and thought-provoking narrative, William Howard Adams shows how this simultaneous distrust and embrace of luxury has pervaded Western thought for three millennia, leading us to the question, what price the soul?

The Changing Landscape of Work and Family in the American Middle Class explores the dynamics of the modern American family and how they have adapted to the changing economy and culture. Contributors from a variety of disciplines redefine the concept of the "model American family" and provide well-researched insight into what the new standards for judging family life and its functionality will be.