Jesus gave the key to the Kingdom and to life more abundant when he gave us the example of children. This book explores the idea that people are most themselves when they achieve the seriousness of children at play. When folks are most themselves, they naturally experience the beginnings of mystic perception. The demystifi cation of mysticism starts as simply as the focused attention of children at play, and takes small steps that, slowly but surely, lead to a life changing relationship with the Divine and the entire universe. Although this book is not intended to be a how-to manual, it nevertheless brings the demystifi cation of mysticism down to daily experiences that can be practiced by anyone. Mystic perception just penetrates beyond their surface appearances. Once even the fundamentals of mystic perception become clarifi ed in practice, sacred space opens up as one’s natural environment. Within the environment of sacred space, gratitude as a gift giving exchange becomes the natural relationship one comes to enjoy with the entire universe.

The problems I address in this book are among the least studied in the soci ology of science and knowledge. Part I is a critique of the claim that there are parallels between ancient mysticism and modern physics, and a sociological analysis of this claim as a strategy in intellectual conflict. This study must. ultimately be rooted more firmly in a: type of sociology of knowledge that is just now beginning to crystallize (and which I discuss in Chapter 7), and a sociology of religion that is not so much unknown as underground, and timid, that is, a non-worshipful materialist sociology of religion. My study of physics-mysticism parallelism is a vehicle for exploring epistemic strategies. I thus conclude Part I by sketching a materialist, emancipatory epistemic strategy. My conclusion brings together a number of ideas formulated by myself and others over the past several years, but stops short of a systematic synthesis. A more integrated and coherent "model" than what I can sketch here must wait on the results of research now in progress in the critical (as opposed to apologetic or worshipful) sociology of knowledge.

An innovative contribution to Scriabin studies, covering aspects of Scriabin''s life, personality, beliefs, training, creative output, and interaction with contemporary Russian culture.This book is an innovative contribution to Alexander Scriabin (1872-1915) studies, covering aspects of Scriabin''s life, personality, beliefs, training, creative output, as well as his interaction with contemporary Russian culture. It offers new and original research from leading and upcoming Russian music scholars. Key Scriabin topics such as mysticism, philosophy, music theory, contemporary aesthetics, and composition processes are covered. Musical coverage spans the composer''s early, middle and late period. All main repertoire is being discussed: the piano miniatures and sonatas as well as the symphonies. In more detail, chapters consider: Scriabin''s part in early twentieth-century Russia''s cultural climate; how Scriabin moved from early pastiche to a style much more original; the influence of music theory on Scriabin''s idiosyncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.ncratic style; the changing contexts of Scriabin performances; new aspects of reception studies. Further chapters offer: a critical understanding of how Scriabin''s writings sit within the traditions of Mysticism as well as French and Russian Symbolism; a new investigation into his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music. his creative compositional process; miniaturism and its wider context; a new reading of the composer''s mysticism and synaesthesia. Analytical chapters reach out of the score to offer an interpretative framework; accepting new approaches from disability studies; investigating the complex interaction of rhythm and metre and modal interactions, the latent diatonic ''tonal function'' of Scriabin''s late works, as well as self-regulating structures in the composer''s music.

This volume is a compilation of six smaller books that were published between 2012 and 2014. They were written as though I were taking dictation. Some higher power unlocked the gates of inspiration and articulation, and I wrote almost continuously for three hours every day without ever fi rst composing an outline for any of these books. Instead of coming out as gibberish, they form a coherent, and I feel, cogent whole, and so I have grouped them together in one volume. Performance excellence in any fi eld requires, among other things, a clear goal that can be methodically approached incrementally in manageable steps and stages. Without a clear goal, there can be no cogent methodology. Accomplishment in the practice of a spiritual discipline that leads to excellent results is no diff erent. Together these books off er a clear goal and method for accomplishing what I feel is the universal target of every valid form of spiritual practice, namely, seeing through the illusion of our separateness. This goal is universal to every form of spiritual aspiration. The methods outlined in this book, therefore, bypass every form of sectarianism. They can be applied and practiced by anyone of any faith who is sincerely motivated to deepen in the spirit that unites us all.

Being human is a lifelong journey of becoming. This journey defines our humanity, for it is a journey toward our source and our fulfillment, described in Christian theology as union with God. If we remain open to God as our sense of self awakens, we experience a deeper consciousness of being in him. The self that emerges during this process is larger, more enlightened, and whole. David Benner, who has spent thirty-five years integrating psychology and spirituality, presents psychological insights in a readable fashion to offer readers a deeper understanding of the self and its spiritual development. Drawing on a broad range of Christian traditions, Benner shows that the transformation of self is foundational to Christian spirituality. This book will appeal to readers interested in a psychologically grounded, fresh exploration of Christian spirituality; professionals engaged in pastoral care, counseling, and spiritual direction; and students in ministry development and spiritual formation courses. Questions and answers for individual or group use are included at the end of each chapter.

In these tumultuous times, readers will appreciate author Xolani Kacela’s Get a Hold of Yourself, an enriching book for persons seeking spiritual renewal, alignment and integration with their values, and practices that enrich daily living. Get a Hold of Yourself means using the spiritual gifts you possess and others unknown to you for creative living and engaging others who hold different beliefs, values, and spiritual convictions. The book examines faith through the lenses of many religious and secular traditions. Kacela’s writing is intelligent and even-paced, but not preachy. The book begins by defining faith and its implications for future-oriented life choices. Case studies explore the ways people grow from spiritual infancy to develop exemplary faith, an unshakable hope, coping strategy, and the unrelenting conviction that the human spirit can transcend suffering and despair. The author weaves contemporary spiritual practices with mysticism and guides the reader’s perception and experience of transcendence in everyday life. Readers will enjoy this excellent book, be they religious or spiritual, but not religious.