One of the few full-length regional studies of popular religion in late imperial China, this book presents the history of the cult of Marshal Wen, a plague-fighting deity whose cult flourished through Chekiang and its neighboring provinces. The author provides a lively account of the rise of Wen's cult during the tumultuous years of the Southern Sung dynasty, as well as its spread during subsequent dynasties. In exploring the roles played by scholar-officials, merchants, and Taoist priests in the growth of Wen's cult, the author pays special attention to the various representations of this deity held by different social groups, and shows that these were constantly interacting in a process he calls "reverberation." His analysis of plague expulsion festivals featuring Marshal Wen reveals that they functioned as rites of affliction designed to both achieve communal purification and resolve social crises. This book draws on a wide variety of sources, including Taoist scriptures and liturgical texts, stele inscriptions, literati writings (including poetry), manuscripts from local archives, as well as popular novels and folktales. The author also supplements his historical research with data gathered during fieldwork in Chekiang and Taiwan

"Despite Taiwan’s rise as an economic force in the world, modernity has not led to a Weberian process of disenchantment or curbed religiosity. To the contrary, other factors—social, economic, political—have stimulated religion. How and why this has happened are central issues in this book. One part of Taiwan’s flourishing religious culture is the elaborate and colorful procession of local gods accompanied by troupes of musicians and dancers. Among them are performers with outlandishly painted faces portraying underworld generals who serve the gods and punish the living. Through their performances, these troupes claim to exorcise harmful forces from the community. In conducting fieldwork among these troupes, Donald Sutton confronted their claims to a long history—when all evidence indicated that the troupes had been insignificant until the 1970s—and their assertions of devotion to tradition given the diversity of performances. Concentrating on the stylistic variations in performances, the author describes the troupes as organizations shaped by the “market forces” of supply and demand in the culture of religious festivals. By focusing on performances as the nexus of market and art, he shows how bodily performance is the site where religious statements are made and the power of the gods made visible."

Demon warrior puppets, sword-wielding Taoist priests, spirit mediums lacerating their bodies with spikes and blades—these are among the most dramatic images in Chinese religion. Usually linked to the propitiation of plague gods and the worship of popular military deities, such ritual practices have an obvious but previously unexamined kinship with the traditional Chinese martial arts. The long and durable history of martial arts iconography and ritual in Chinese religion suggests something far deeper than mere historical coincidence. Avron Boretz argues that martial arts gestures and movements are so deeply embedded in the ritual repertoire in part because they iconify masculine qualities of violence, aggressivity, and physical prowess, the implicit core of Chinese patriliny and patriarchy. At the same time, for actors and audience alike, martial arts gestures evoke the mythos of the jianghu, a shadowy, often violent realm of vagabonds, outlaws, and masters of martial and magic arts. Through the direct bodily practice of martial arts movement and creative rendering of jianghu narratives, martial ritual practitioners are able to identify and represent themselves, however briefly and incompletely, as men of prowess, a reward otherwise denied those confined to the lower limits of this deeply patriarchal society. Based on fieldwork in China and Taiwan spanning nearly two decades, Gods, Ghosts, and Gangsters offers a thorough and original account of violent ritual and ritual violence in Chinese religion and society. Close-up, sensitive portrayals and the voices of ritual actors themselves—mostly working-class men, many of them members of sworn brotherhoods and gangs—convincingly link martial ritual practice to the lives and desires of men on the margins of Chinese society. This work is a significant contribution to the study of Chinese ritual and religion, the history and sociology of Chinese underworld, the history and anthropology of the martial arts, and the anthropology of masculinity.

Sharot (sociology, Ben-Gurion U. of the Neger) focuses on the differences and interrelationships between religious elites and lay masses. He presents several relevant concepts and theories including a model of religious action based on the work of Max Weber, and a discussion of elites and masses as represented in Weber's comparison of world religions. Coverage encompasses religious action in world religions; Brahmans, Renouncers, and Hinduisim in India; Buddhism and Animism in Sri Lanka and Southeast Asia; traditional Catholicism in Europe; Islam and Judaism; Protestants, Catholics and the reform of popular religion; and a comparison of religious elites and popular religions. c. Book News Inc.

Presenting a new approach to the history of Chinese kinship, this book attempts to bridge the gap between anthropological and historical scholarship on the Chinese lineage. It explores the historical development of kinship in the villages of the Fuzhou region of southeastern Fujian province.

These volumes contain a selection of twenty-one essays presented in a conference convened jointly by the Ecole francaise d'Extreme-Orient and the Centre for the Study of Religion and Chinese Society of the Chinese University of Hong Kong, on "Religion and Chinese Society: The Transformation of a Field and Its Implications for the Study of Chinese Culture." The collection provides as wide a coverage as possible of recent research in the history of Chinese religion and seeks to draw some tentative conclusions about the implications for the study of Chinese religion and society in general.

Thirty years ago, Hu Shih's views of Chinese society and history were representative of Sinology in general: China itself had no native religion, just local customs; its only real religion was an import, Buddhism. These views have now been completely overturned, with massive implications for our understanding not only of China but also of humanity as a whole: it is no longer possible to imagine that at least one major traditional society constructed and construed itself without reference to a non-mundane world that permeated every facet of society, and it therefore becomes indispensable for students of China to take the history of Chinese religion into account and for students of religion to take into account the Chinese experience of and Chinese categories for dealing with religious phenomena. The present volumes contain a selection of twenty-one essays presented in a conference convened jointly by the Ecole francaise d'Extreme-Orient and the Centre for the Study of Religion and Chinese Society of the Chinese University of Hong Kong, on "Religion and Chinese Society: The Transformation of a Field and Its Implications for the Study of Chinese Culture" held on May 29-June 2, 2000. The collection aims at providing as wide a coverage as possible of recent research in the history of Chinese religion and seeks to draw some tentative conclusions about the implications for the study of Chinese religion and society in general.