From 1890, this is an important contribution to the literature of the Southwest, a fictional novel of pre-Columbian Pueblo Indians, based on the author's experiences with the Native Americans of New Mexico.

"Can you draw a clear line through American history from the Puritans to the "Nones" of today? On the surface, there is not much connective tissue between the former, who often serve as shorthand for a persistent religious fanaticism in the United States, and the almost one quarter of the population who now regularly check the "None" or "None of the above" box when responding to surveys of religious preference. But instead of seeing a disconnect between these two groups separated by time, historian Catherine Albanese insists there is a deep connection that spans the centuries. With a targeted romp through American history from the seventeenth century to the present, Albanese ties together these seemingly disparate groups through a shared and distinctively American preoccupation with delight and desire. Albanese begins our journey with the role of delight and desire in the brand of Calvinism championed by renowned Puritan minister Cotton Mather and later Jonathan Edwards. She then traces the development of these themes up through the present, treating the reader to revelatory readings of Ralph Waldo Emerson, Horace Bushnell, Andrew Jackson Davis, William James, Emma Curtis Hopkins, Elizabeth Towne, and others, revealing the contours of an evolving theology of desire. The result is an original and entertaining take on an underexamined through line in American history"--

"Embark on a captivating journey to the ancient civilizations of the American Southwest with Adolph Francis Alphonse Bandelier in 'The Delight Makers.' Written in the late 19th century, this historical novel invites readers to explore the rich tapestry of Native American cultures and the landscapes of New Mexico. Bandelier weaves a narrative set against the backdrop of the pre-Columbian Pueblo societies, providing a fictional yet vivid portrayal of their customs, rituals, and daily life. Through meticulous research and evocative storytelling, 'The Delight Makers' immerses readers in a world where ancient traditions collide with the forces of change. More than a work of historical fiction, Bandelier's novel stands as a tribute to the indigenous peoples of the American Southwest. Join him on this literary expedition where each page unfolds a new chapter of discovery, making it an essential read for those intrigued by the intersection of history, culture, and the enduring spirit of Native American civilizations."

The author of Hopi Kachinas (page 11), one of Northland's best-selling books, takes an in-depth look at Hopi clowns, their purposes, and their historical backgrounds.

A treatise on the archaeology, history, ethnohistory, linguistics, and religion of the peoples of the Southwest-the Navajo, Keresans, Tanoans, Utes, Spaniards and Anglos, who are the tapestry of that land. This book is about people-where they lived, what they believed, and how they interacted with others. The chapters are entitled: The Navajo Eden: The Dinetah; The Eastern Ancestral Puebloans; The Spaniards Enter and Settle, 1540-1700; The Tanoan and Keresan Rio Grande Puebloans; Acculturation in the Dinetah; Keresan and Tanoan Religions and Societal Organizations; Navajo Origin Myth and Societal Organization; Protohistoric Rio Grande Ceremonialism; Gods of the Navajo Night Chant; Universal Female and Male Deities."

The Trail Book is a classic of American nature writing. First published in 1918, it is a collection of children’s tales, framed by its setting in New York’s Museum of Natural History. For two children, Oliver and his sister Dorcas, the museum’s famed dioramas (which were new at that time) come to life and admit them into a series of exciting adventures that include talking animals and magical travels. Along the way, the children discover the ways of the ancient Native Americans and the landscapes of the pre-Columbian continent, as well as the impact on both Indians and wildlife from contact with European explorers and Euro-Americans. Told by a variety of narrators, including some of the animals, the stories offer a perceptive and sympathetic view of the natural history of North America and of Native American–white relations. This edition of The Trail Book includes an afterword by Austin scholar Melody Graulich that addresses Austin’s motives in writing the book and its significance as an early example of interdisciplinary multicultural literature. The illustrations by Milo Winter that enlivened the original edition are included, as are Austin’s appendix giving historical background and a glossary of Indian and Spanish names.